Before his assassination in 2005, Samir Kassir was one of Lebanon’s foremost public intellectuals. In Being Arab, a thought-provoking assessment of Arab identity, he calls on the people of the Middle East to reject both Western double standards and Islamism in order to take the future into their own hands. Passionately written and brilliantly argued, this rallying cry for change has now been heard by millions.

One of Lebanon's best-known journalists and political commentators offers a criticism of what he refers to as "the Arab malaise," the Arab world's political paralysis, intellectual decay, and identity crisis.

Through his own life story, from childhood through is life as an adult, El Rassi illustrates the prejudices and discrimination Arabs and Muslims experience daily in American society. He contends with ignorant teachers, racist neighbours, bullying classmates and a growing sense of alienation. He also examines the roles that media and popular culture play and with examples from film and news media, he shows how difficult it is to have an Arab identity in a society saturated with anti-Arab messages.

WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story. To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost. When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.

Eid looks at the significance of religion to ethnic identity building, a largely understudied issue in ethnic studies, and the extent to which social and cultural practices are structured along ethnic and religious lines. Being Arab also analyzes whether gendered traditions act as identity markers for young Canadians of Arab descent and whether men and women hold different views on traditional gender roles, especially regarding power within romantic relationships and sexuality.

This book is the first ethnographic exploration of gender, race and class practices amongst British born or raised Arabs in London. Ramy M.K. Aly looks critically at the idea of 'Arab-ness' and the ways in which ethnic subjects are produced, signified and recited in the city. Looking at everyday spaces, encounters and discourses, the book explores the lives of young people and some of the ways in which they 'do' or achieve 'Arab-ness'. Aly's ethnography uncovers narratives of growing up in London, the codes of sociability at Shisha cafes and the sexual politics and ethnic self-portraits which make British-Arab men and women. Drawing on the work of Judith Butler, Aly emphasises the need to move away from the notion of identity and towards a performative reading of race, gender and class. What emerges is a highly innovative contribution to the study of diaspora and difference in contemporary Britain.

The Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination.