This story is about Anu and her love..How she who fights the odds, fights the world,and ends up fighting wit love.. Who in Anu?Who is she? The people define her by the clothes not by her heart. She is the one who has to fight with the world everyday as they define her character by the length of her dress.. She is suppose to be weak being.. But no one realises she s the toughest being who goes through all the odds of life with a smile on her face She.. Is the one who has to bear the eyes of cruelty... The cheap talks.. She..Sometimes s just object of pleasure.. Which was never true but still its the thought people live with.. Yes the truth of life is bitter but.. Time has come to change.. Coz.. She s the one.. who loves u..Who cares for u.. Who leaves her dreams to be part of yr dreams.. Who sacrifices her lifes to make yr life.. YES... SHE...... She is the one.. Who deserve our respect.... love and care.......

For many observers, the European Union is mired in a deep crisis. Between sluggish growth; political turmoil following a decade of austerity politics; Brexit; and the rise of Asian influence, the EU is seen as a declining power on the world stage. Columbia Law professor Anu Bradford argues the opposite in her important new book The Brussels Effect: the EU remains an influential superpower that shapes the world in its image. By promulgating regulations that shape the international business environment, elevating standards worldwide, and leading to a notable Europeanization of many important aspects of global commerce, the EU has managed to shape policy in areas such as data privacy, consumer health and safety, environmental protection, antitrust, and online hate speech. And in contrast to how superpowers wield their global influence, the Brussels Effect - a phrase first coined by Bradford in 2012- absolves the EU from playing a direct role in imposing standards, as market forces alone are often sufficient as multinational companies voluntarily extend the EU rule to govern their global operations. The Brussels Effect shows how the EU has acquired such power, why multinational companies use EU standards as global standards, and why the EU's role as the world's regulator is likely to outlive its gradual economic decline, extending the EU's influence long into the future.

After a century of speculation by writers, filmmakers, travelers and scholars, being Australian' has become a recognisable shorthand for a group of national characteristics. Now, in an era of international terrorism, being seen as un-Australian' has become a potent rhetorical weapon for some, and a badge of honour for others. Catriona Elder explores the origins, meaning and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity. Elder also investigates the cultural and social perspectives that have been used to critique dominant accounts of Australian identity, including ideas of class, gender, sexuality, ethnicity and race. She shows how these critiques have been, in turn, queried in recent years. Being Australian is an ideal introduction to studying Australia for anyone interested in understanding Australian society, culture and history. A clever work: incisive and original. At a time when Australian identities have never been more debated, Elder finds an open way through the closed doors which often restrict cultural representations of Australian-ness.' Professor Adam Shoemaker, Dean of Arts, ANU This is a timely and significant new analysis essential reading on issues of identity and our own anxieties about national belonging and what it means to be Australian' in a globalising world.' Kate Darian-Smith, Professor of Australian Studies and History, University of Melbourne

Come one come all to the phantasmagoria of chaos magickal fiction... You willl find that angels hob nob with victorians as well as annunaki aliens with red indians... What else is there? A lot more than in your general kinda book... Enjoy.

This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as ‘The Monto Cycle’. Set within a quarter square mile of Dublin’s north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, ‘affect’, and the self as agent of action.