The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.

Robert Irwin, who is one of the most important artists of this era, was a seminal figure in "Light and Space" art. He began as an Abstract Expressionist painter in the 1950s, and was for some time (but is no longer) an artist who produced no art obejcts. Irwin's philosophical and aesthetic theories are so far-reaching that only now, some twenty years after they were first posited, has the art world begun to recognize that his questions about perception come to bear upon the definition of art itself. In the 1960s, his disc paintings succeeded in "breaking the edge of the canvas," with the resultant effect that the space surrounding the work became equally important. In the 1970s, Irwin created room-environment pieces of a phenomenal or non-object nature across the United States. Comprised solely of light, string, or nylon scrim, these works placed the responsibility upon the viewer in order to bring him to a position where he could "perceive himself perceiving" - "The Mondrian was no longer on the wall - the viewer was in the Mondrian." In the last ten years, Irwin's sculptural aesthetic and his philosophical theories have merged to provide the impetus behind a major body of sculpture created in response to a specific site, situation, or locale. Irwin's importance as an artist lies not only in the beauty and clarity of his precendent-setting work, but in his theoretical contribtion, which provides a framework by which all phenomenal works can be examined. This book, written by the artist, lays out his theoretical position and documents the working processes behind seventeen major sculpture projects created over the past decade. -- from dust jacket.

This is a novel about appearance versus reality – how our lives and relationships appear to others versus how they are experienced, and the complex ways that social class shapes identity, relationships, and the codes of friendship. American Circumstance also provides a window into the replication of wealth, power, and privilege. The novel can be used as supplemental reading in courses across the disciplines that deal with gender, social class, inequality, power, family systems, relational communication, intimate relationships, identity, American culture, narrative or creative writing. It can also be read in book clubs or entirely for pleasure. “American Circumstance is wonderful! The characters and story invite you into a world that is both familiar and unfamiliar. Highly recommended!!” – Carl Leggo, Ph.D., University of British Columbia “American Circumstance kept me up! I wanted to see how the characters’ lives untangled. I loved how Leavy challenged my cultural assumptions. Students will have a lot to talk about as they discover the 'sociology of everyday life' embedded in the fiction.” – Laurel Richardson, Ph.D., The Ohio State University “The characters were so compelling that I couldn’t stop reading ... a great beach read, or class text.” – U. Melissa Anyiwo, Ph.D., Curry College “Leavy writes in an engaging way that helps you ask important questions about class issues in America. This story keeps you interested and wondering why women make the choices they do.” – Margaret A. Robbins, The Journal of Language & Literacy Education “American Circumstance is one of my favorite texts to assign to my sociology students.” – Cheryl Llewellyn, Ph.D., University of Massachusetts Lowell Patricia Leavy, Ph.D., is an award-winning independent sociologist and best-selling author.

The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage. From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage. Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.

"Told with brains and heart" —Michelle Gable, New York Times bestselling author of A Paris Apartment "Bristles with charm and curiosity" —Winston Groom, New York Times bestselling author of Forrest Gump "A wholly original and superbly crafted work of art, Beasts of Extraordinary Circumstance is a masterpiece of the imagination." —Lori Nelson Spielman, New York Times bestselling author of The Life List and Sweet Forgiveness "Charlotte's Web for grown-ups who, like Weylyn Grey, have their own stories of being different, feared, brave, and loved." —Mo Daviau, author of Every Anxious Wave Ruth Emmie Lang teaches us how to find magic in the ordinary in her magical realism debut Beasts of Extraordinary Circumstance. Orphaned, raised by wolves, and the proud owner of a horned pig named Merlin, Weylyn Grey knew he wasn’t like other people. But when he single-handedly stopped that tornado on a stormy Christmas day in Oklahoma, he realized just how different he actually was. As amazing as these powers may appear, they tend to manifest themselves at inopportune times and places, jeopardizing not only his own life, but the life of Mary, the woman he loves. Beasts of Extraordinary Circumstance tells the story of Weylyn Grey’s life from the perspectives of the people who knew him, loved him, and even a few who thought he was just plain weird. Although he doesn’t stay in any of their lives for long, he leaves each of them with a story to tell: great storms that evaporate into thin air; fireflies that make phosphorescent honey; a house filled with spider webs and the strange man who inhabits it. There is one story, however, that Weylyn wishes he could change: his own. But first he has to muster enough courage to knock on Mary’s front door.

Following his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'