One of Thailand’s best-known and most highly regarded novels, portraying the romance of a young Thai man and a married older woman ‘In that tranquil and apparently very ordinary picture, I see everything unfolding. Every scene, every part, from the beginning to the final act’ Nopporn, a Thai student studying in Japan, is tasked with hosting a distinguished old family friend and his new wife, the beautiful, aristocratic Kirati. Despite their difference in age and status, and the social constraints of the day, Nopporn and Kirati are inexorably drawn to each other, and love starts to bloom. A stirring portrayal of youthful romantic obsession, and later attempts to come to terms with the frailty of passionate feelings, Behind the Painting also shows the constrained lives of many women of the time. First published in 1937, it is one of Thailand’s best-known and most beloved novels. Translated by David Smyth

"The seal of the Prince of Yugoslavia, the icon that protected persecuted Russians, Monet's repurposed canvas, the excised first wife, the stolen Tissot ... all these stories can be found on the backs of paintings in New Zealand art museums. This ... book by three painting conservators explores the backs of 33 paintings, ranging from 14th century artworks to the present day, from Claude Lorrain to Ralph Hotere, and held in the collections of the Museum of New Zealand Te Papa Tongarewa, the Auckland Art Gallery Toi o Tåamaki and the Dunedin Public Art Gallery. Join them on their art-detective explorations"--Back cover.

"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

It has often been pointed out that twentieth-century painting and physics share a common tendency toward probing behind appearances into the underlying structure of things ... The author provides a concise summary of those aspects of modern science that relate to his theme, including the development of a 'third science' that embraces information, communication, automation, and systems theory. He also provides in parallel a concise history of the modern movement in painting--Jacket.

At the beginning of World War II, Poland was a country of fiercely independent people, living in villages rich in history, folklore, and a strong sense of pride. It was in one of these villages that a young boy aspiring to be an artist learned hard lessons about freedom, and the terror that comes when it is taken away. As Russian and German forces invade Poland and overturn the political structure, Michael is separated from his family and his friends and sent to a work camp to wait out the war. Throughout the struggles of starvation, work and punishment, with the threat of death hanging over him at all times, Michael finds an internal strength and faith that will eventually reunite him with his family and bring peace and prosperity back to Poland. Now, decades later, Michael is a delighted citizen of the United States and treats the rich history of this melting pot with the same reverence and intimacy as the story of the Three Brothers from his original home. In Leaving Terror Behind, Michael Lindner shows us that Poland and America are not so different after all: both countries are host to a people willing to fight and die for freedom and independence. By sharing his personal experiences, Michael asserts that Americans should treasure the freedom they have, and offers solid advice for all Americans who wish to preserve the independence fought for by their forefathers. Mike Lindner is a survivor of World War 2 and currently resides in North Carolina.

Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.

A haunting, beautiful middle-grade novel about fractured relationships, loss, ghosts, friendship and art. Annie and her mother don't see eye to eye. When Annie finds a painting of a lonely lighthouse in their home, she is immediately drawn to it--and her mother wishes it would stay banished in the attic. To her, art has no interest, but Annie loves drawing and painting. When Annie's mother slips into a coma following a car accident, strange things begin to happen to Annie. She finds herself falling into the painting and meeting Claire, a girl her own age living at the lighthouse. Claire's mother Maisie is the artist behind the painting, and like Annie, Claire's relationship with her mother is fraught. Annie thinks she can help them find their way back to each other, and in so doing, help mend her relationship with her own mother. But who IS Claire? Why can Annie travel through the painting? And can Annie help her mother wake up from her coma? The Painting is a touching, evocative story with a hint of mystery and suspense to keep readers hooked.