In the year 1845, before the mystical land of Fallada was separated from the realm of men forever, the two worlds coexisted in harmony. Man could mingle freely in the world of the Elves and Faeries at will and peace reigned. In the hills of Shropshire, England, just miles from the gate separating the village of Ludlow from the world of mystical creatures, farmer’s daughter Zara Wells longs for answers. It is not only the golden hair that trail feet behind her, or the strange hue of her violet eyes that separates her from the other girls her village. There is something inside of her, something touched by magic that longs to know more about what lies on the other side of the gate. In Fallada, darkness has begun to spread. As the youngest and most beautiful girls of her village begin to disappear, Zara comes closer to discovering the true circumstances surrounding her birth. Little does she know, that the closer she comes to the answers she so desperately desires, the closer she will come to being ensnared in the dark queen’s web of growing treachery.

Aunt Claire had a secret... A secret she only felt safe sharing with her favorite nephews. There was something about the house... Something un-natural... Something evil. Dane was thrilled when he'd learned he'd inherited the old family house, hoping to make it his home. His older brother, Jeremy, however, had different ideas. He wanted to rid himself of the monstrosity, and the negative memories that went with it. It would only be a few days into it, when the brothers would learn it wasn't their choice to make. The house had ideas of its own.

This book brings architecture and urbanism into dialogue with phenomenology. The contributors are architects and scholars of urbanism with backgrounds in literature, history, religious studies, and art history. Rather than developing a single theoretical statement, the book addresses architecture’s relationship with the city in a wide range of historical and contemporary contexts. The chapters trace hidden genealogies, and explore the ruptures as much as the persistence of recurrent cultural motifs. Together, these interconnected phenomenologies of the city raise simple but fundamental questions: What is the city for, how is it ordered, and how can it be understood?

THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.”—Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.

Offering the complete, never-before-told story of the twenty-five gates that form portals to Harvard Yard, this beautiful gift book recounts the aesthetic vision for America's preeminent university, developed by renowned architecture firm McKim, Mead & White. The book discusses the architectural intentions of the gates, as well as the human drama behind their fruition—tales of wealth, power, and institutional and personal ambition. Illustrated with previously unpublished sketches by Roger Erickson, architect and landscape architect; stunning color photographs of each gate by Ralph Lieberman; and a beautiful hand-drawn three-dimensional aerial map of Harvard Yard that denotes the location of each gate by RISD graduate student Christopher Beck.

Once the mighty fortress had stood strong, defended by the mightiest of all Drenai heroes, Druss, the Legend. But now a tyrannical, mad emperor had seized control of the fortress, and his twisted will was carried throughout the land by the Joinings --- abominations that were half-man, half-beast. Tenaka Khan was a half-breed himself, hated by the Drenai for his Nadir blood and despised by the Nadir for his Drenai ancestry. But he alone had a plan to destroy the emperor. The last heroes of the Drenai joined with him in a desperate gamble to bring down the emperor -- even at the cost of their own destruction.

This book had its origins in a symposium held at the University of Edinburgh from 30 March to 2 April 2000, which was attended by archaeologists with a shared interest in the prehistory of the small but distinctive region of Southeast Europe known as the Iron Gates. In the broad sense the area refers to the section of the Danube valley where the river forms the modern political border between Serbia and Romania, and this definition is adopted for the present volume. First and foremost the volume is intended to illustrate the immense research potential of the Iron Gates region. A second objective is to provide case studies that illustrate the nature of current research and the rich possibilities offered by the growing range of scientific techniques available to archaeologists and their application to existing archaeological collections. Contents: 1) Lithic technology and settlement systems of the Final Palaeolithic and Early Mesolithic in the Iron Gates (Dusan Mihailovic); 2) The development of the ground stone industry in the Serbian part of the Iron Gates (Dragana Antonovic); 3) Sturgeon fishing along the Middle and Lower Danube (Laszlo Bartosiewicz, Clive Bonsall & Vasile Sisu); 4) The Mesolithic-Neolithic in the Derdap as evidenced by non-metric anatomical variants (Mirjana Roksandic); 5) Demography of the Derdap Mesolithic-Neolithic transition (Mary Jackes, Mirjana Roksandic & Christopher Meiklejohn); 6) Approaches to Starcevo culture chronology (Joni L. Manson); 7) Faunal assemblages from the Early Neolithic of the central Balkans: methodological issues in the reconstruction of subsistence and land Use (Haskel Greenfield); 8) Lepenski Vir animal bones: what was left in the houses? (Vesna Dimitrijevic); 9) New-born infant burials underneath house floors at Lepenski Vir: in pursuit of contextual meanings (Sofija Stefanovic & Dusan Boric); 10) DNA-based sex identification of the infant remains from Lepenski Vir (Biljana Culjkovic, Sofija Stefanovic & Stanka Romac); 11) Dating burials and architecture at Lepenski Vir (Clive Bonsall, Ivana Radovanovic, Mirjana Roksandic, Gordon Cook, Thomas Higham & Catriona Pickard); 12) Reanalysis of the vertebrate fauna from Hajducka Vodenica in the Danubian Iron Gates: subsistence and taphonomy from the Early Neolithic and Mesolithic (Haskel Greenfield); 13) Velesnica and the Lepenski Vir culture (Rastko Vasic); 14) The human osteological material from Velesnica (Mirjana Roksandic); 15) The Mesolithic-Neolithic transition in the Trieste Karst (north-eastern Italy) as seen from the excavations at the Edera Cave (Paolo Biagi, Elisabetta Starnini & Barbara Voytek).