Reproduction of the original: Behind the Footlights by Mrs. Alec-Tweedie

Nicoles story tells of her climb to stardom from her student days at drama school, her first job, working for the National Theatre, a Broadway run, marriage and divorce. When her beloved Michael deserts her, her entire career is in jeopardy as she struggles to come to terms with the effect her career is having on her private life.

Remediating Shakespeare in the Eighteenth and Nineteenth Centuries analyzes literary remediations of Shakespeare’s works, particularly those written for young readers. This book explores adaptations, revisions, and reimaginings by Lewis Theobald, the Bowdlers, the Lambs, and Mary Cowden Clarke, among others, to provide a theoretical account of the poetics and practices of remediating literary texts. Considering the interplay between the historical fascination with Shakespeare and these practices of adaptation, this book examines the endless attempt to mediate our relationship to Shakespeare. Howard Marchitello investigates the motivations behind various forms of remediation, ultimately expanding theories of literary adaptation and appropriation.

British Theatre in the Great War deals with a theatrical phase customarily dismissed by those charting twentieth-century developments. What becomes clear is that assessment by unsuitable literary criteria has masked the importance of the war years in British theatrical history. In avoiding a texts bias, the book reveals a period of unsurpassed prosperity in which the stage's substantial contribution to the war effort is only one notable feature. That it also saw the commercial theater's absorption of Continental avant-gardeism by way of revue, the last great epoch of music hall, the rise of the Old Vic with a project in opera and Shakespeare, and the unprecedented popularity of opera everywhere--this was surely the most fruitful period of Thomas Beecham's theatrical career--is compelling argument for revaluation. In his reassessment of this period, Dr. Williams extensively examines scripts and press coverage, providing a comprehensive overview from popular pantomime to the specialist work of the private stage as well as discussion of such issues as working conditions and censorship.

Jamul, an adored American pop singer, dreams of a grand show of Islamic Jihad power, intending to use a biological weapon to eradicate religious leaders at an Easter service at the Hollywood Bowl. In response, Cerberus agents Joe Falk and Susan Koski must seek help from scientists, gang bangers and the public to stop the next brutal terrorist attack on American soil.