Inspired by the author's visits to Turkey and all that she experienced there, this guide to historic embroideries explores in-depth a wonderful range of stitches, images, and designs. Particular focus is given to the techniques of Ottoman embroidery, as well as the fabrics, threads, and colors that were used. A dictionary of stitches describes a whole range of stitches from Bukhara self couching to needleweaving and Turkish punch stitch. Projects offer inspiring ideas for samplers, cards, coasters, bookmarks, and more. A wonderful section on borders and motifs includes attractive border patterns used in 18th and 19th century Ottoman embroideries and motifs adapted from the pieces the author has studied. It will encourage embroiderers and textile artists everywhere to look at the historical treasures we have around us, and inspire them to create their own original works of art.

Fascinated by the traditional embroidery of Turkey, the author began to compile information on the designs and stitches of this beautiful art form. The origins and designs of this style of embroidery, including available materials and colours, are discussed. There follows general instructions on how to create Ottoman-style embroidery, along with a stitch dictionary and detailed diagrams and photographs of the stitches. A study of a 19th-century yaglik, or towel, describes how the author recreated the style using modern techniques and materials. The remainder of the book presents projects based on traditional Ottoman stitches, colours and subject matter, with colour photographs, diagrams and detailed instructions.

This book is a celebration of the extensive collection of Ottoman embroidery at the V and A which ranges from the middle of the 16th century to 1900. In addition to illustrating over 100 major pieces, an introductory text puts the collection in context, explaining who the Ottomans were and their impact on Europe. The embroideries themselves include pieces such as sashes, kerchiefs and scarves which were made to satisfy the requirements of the Ottoman household and are strongly redolent of an exotic way of life. The embroideries can be divided into pre- and post-1720, when the Ottomans made peace with Central and Western Europe, and incorporated many aspects of Western art into their textile traditions. It was not until the 19th century however, that Ottoman embroidery in the form of towels and napkins began to appear in public and private collections in Britain. The book is illustrated with 145 embroideries which are split into the four most characteristic Ottoman techniques- surface darning, laid and couched, double running and double darning. Above all it is the unique double-sided embroideries that are fascinating to Western observers where the same basic stitch has been used over five centuries. This type of embroidery continues to be carried out today by a few skilled practitioners. All techniques are clearly explained through specially commissioned diagrams, which

This is the first book ever to look at the whole range of embroidered textiles produced within this important and highly influential culture, from the commonest leggings and handkerchiefs to the costliest robes and decorated tents.

Substantial and through critical annotations of works on all important aspects of Ukranian history and culture, including monographs, dissertations, books, symposia, pamphlets, and journal articles. Spanning the period from the early 1950s to mid-1989, the numbered entries are arranged by broad subject categories, each category beginning with a brief introduction to the most important authors and their works. Annotation copyrighted by Book News, Inc., Portland, OR