In 1992, a gang leader was shot dead by an ANC member in Kroonstad. The murder weapon was then hidden on Antjie Krog’s stoep. In Begging to Be Black, Krog begins by exploring her position in this controversial case. From there the book ranges widely in scope, both in time - reaching back to the days of Basotho king Moshoeshoe - and in space - as we follow Krog’s experiences as a research fellow in Berlin, far from the Africa that produced her. Begging to Be Black is a book of journeys - moral, historical, philosophical and geographical. These form strands that Krog interweaves and sets in conversation with each other, as she explores questions of change and becoming, coherency and connectedness, before drawing them closer together as the book approaches its powerful end. Experimental and courageous, Begging to Be Black is a welcome addition to Krog’s own oeuvre and to South African literary non-fiction.

In 1992, a gang leader was shot dead by an ANC member in Kroonstad. The murder weapon was then hidden on Antjie Krog’s stoep. In Begging to Be Black, Krog begins by exploring her position in this controversial case. From there the book ranges widely in scope, both in time - reaching back to the days of Basotho king Moshoeshoe - and in space, as we follow Krog’s experiences as a research fellow in Berlin, far from the Africa that produced her. Begging to Be Black is a book of journeys - moral, historical, philosophical and geographical. These form strands that Krog interweaves and sets in conversation with each other, as she explores questions of change and becoming, coherency and connectedness, before drawing them closer together as the book approaches its powerful end. Experimental and courageous, Begging to Be Black is a welcome addition to Krog’s own oeuvre and to South African literary non-fiction

Antjie Krog’s iconic status as one of South Africa's most popular and critically-acclaimed poets began when she was eighteen, with her first collection, Dogter van Jefta (1970). Almost four decadeslater, this very different collection will confirm her reputation with poems that blur and ravage the boundaries between the lyrical and confessional, the private and public. Body Bereft is a fearless and ecstatic exploration of consciousness on the edge of decay and dissolution. The taboos within the tidal moods of the menopause are described with anger and verbal intensity in a voice that is uniquely Krog's. Close relationships are searingly explored, occasionally seeking conflict, often searching for resolution. In the final meditative section, the personal intensity is tempered, fantastically almost, by contemplations of Table Mountain as a looming, symbolic and androgynous godhead, echoing Adamastor, an abiding presence that endures as it suffers witness - an ostensibly inscrutable, ironically nurturing mirror to selfand personal despair. These dramatic, even reckless poems, translated from the simultaneously published Afrikaans Collection, Veweerskrif, bring an altogether new and unique energy to South African English-language poetry.

The story of one young girl's struggle for money and survival, and the lengths she will go to get both, now reissued with an arresting new cover. Is there greed in Raspberry Hill's genes? In this sequel to Coretta Scott King Honor Book Money Hungry, once-homeless Raspberry Hill vows never to end up on the streets again. It's been a year since Raspberry's mother threw her hard-earned money out the window like trash, so to Raspberry money equals security and balance. And she's determined to do anything to achieve it. But when a troubled neighborhood teenager attacks her mother and Raspberry's drug-addicted father returns, Raspberry becomes desperate for her life to change and ends up doing the unthinkable, potentially ruining her friendships and losing her self-respect along the way. Will Raspberry accept that nothing good comes of bad money? Or is she destined to follow in her father's footsteps?

For Jesse, the battle still rages: in his tortured memories; in the gang wars that are erupting on Potrero Hill; and now, in the cold-blooded execution of two women - one black, one Vietnamese - on the edge of a San Francisco ghetto."--BOOK JACKET.

Keiler Roberts mines the passing moments of family life to deliver an affecting and funny account of what it means to simultaneously exist as a mother, daughter, wife, and artist. Drawn in an unassuming yet charming staccato that mimics the awkward rhythm of life, no one’s foibles are left unspared, most often the author’s own. When Roberts considers whether or not to dust the ceiling fan, it’s effectively relevant. She can get lost in the rewarding melodrama of playing Barbies with her daughter and will momentarily snap out of her depression. Her harmless fibs to get through the moment are brought up by her daughter a year or two later, yet without hesitation Roberts will request that her daughter’s imaginary friend not visit when she is around. Her MS diagnosis lingers in the background, never taking center stage. In My Begging Chart, her most encompassing work yet, Keiler meditates on routine and stillness. The vignettes of her everyday life exude immense presence, making her comics thoroughly relatable and reflective of our all-too-human lives as they unfold with humour, sadness, and relieving joy. In transporting these stories onto paper, Keiler observes, and at times relishes, a fleeting present.

“What smart, memorable, inventive stories these are—skilled, insightful, full of heart.”—Joan Silber, author of Ideas of Heaven Alethea Black's deeply moving and wholly original debut features a coterie of memorable characters who have reached emotional crossroads in their lives. Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.