Meet Dirt and Bugsy – best buds who catch all kinds of bugs – in this fun early reader! Dirt and Bugsy are neighbors, best friends, and bug catchers. Bugs that crawl. Bugs that fly. Bugs that slide. Bugs that hide. When they gather a bunch of beetles, the boys make a plan to sort them into categories. But how will they decide how to sort all those beetles?

Everyone in Bugville is buzzing about the upcoming Beetniks concert except one father who disapproves.

The Victorian period witnessed the beginning of a debate on the status of animals that continues today. This volume explicitly acknowledges the way twenty-first-century deliberations about animal rights and the fact of past and prospective animal extinction haunt the discussion of the Victorians' obsession with animals. Combining close attention to historical detail with a sophisticated analytical framework, the contributors examine the various forms of human dominion over animals, including imaginative possession of animals in the realms of fiction, performance, and the visual arts, as well as physical control as manifest in hunting, killing, vivisection and zookeeping. The diverse range of topics, analyzed from a contemporary perspective, makes the volume a significant contribution to Victorian studies. The conclusion by Harriet Ritvo, the pre-eminent authority in the field of Victorian/animal studies, provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.

This volume is fourth in the series "What's Happening in the Mathematical Sciences". As the 20th century draws to a close, it presents the state of modern mathematics and its world-wide significance. It includes "Beetlemania: Chaos in Ecology", on evidence for chaotic dynamics in a population.

Legs, antennae, horns, beautiful shells, knobs, and other oddities--what's not to like about beetles?

Provides a history of the popular Volkswagen Beetle from its inception in the 1930s to its rebirth in 1998.

"It is to fly-fishing that Barilla turns for answers. No one would mistake the modern world he travels through for that of the river-going Huck Finn: Barilla drives past strip malls, falls asleep to Dirty Harry playing on his motel-room television, and reads in a trout magazine of a familiar stream now degraded by urban sprawl. But then, as one fishing shop proprietor observes, "No place is what it was." And along his way, the author encounters many settings of uncommon beauty, from Yellow Breeches Creek in Pennsylvania to the Grand Deschutes River in Oregon, each with a singular fishing experience to offer."--Jacket.