Recent years have witnessed a revival of interest in holy figures in Canada. From the reputations of popes John Paul II and Benedict XVI as prolific saint-makers to the canonization of two figures associated with Canada - Brother André Bessette in 2010 and Kateri Tekakwitha in 2012 - saints are suddenly in the news and a topic of conversation. In Becoming Holy in Early Canada, Timothy Pearson explores the roots of sanctity in Canada to discover why reputations for holiness developed in the early colonial period and how saints were made in the local and immediate contexts of everyday life. Pearson weaves together the histories of well-known figures such as Marie de l'Incarnation with those of largely forgotten local saints such as lay brother and carpenter Didace Pelletier and the Algonquin martyr Joseph Onaharé. Adopting an approach that draws on performance theory, ritual studies, and lived religion, he unravels the expectations, interactions, and negotiations that constituted holy performances. Because holy reputations developed over the course of individuals' lifetimes and in after-death relationships with local faith communities through belief in miracles, holy lives are best read as local, embedded, and contextualized histories. Placing colonial holy figures between the poles of local expectation and the universal Catholic theology of sanctity, Becoming Holy in Early Canada shows how reputations developed and individuals became local saints long before they came to the attention of the church in Rome.

In this interdisciplinary collection of essays, Joel W. Martin and Mark A. Nicholas gather emerging and leading voices in the study of Native American religion to reconsider the complex and often misunderstood history of Native peoples' engagement with Christianity and with Euro-American missionaries. Surveying mission encounters from contact through the mid-nineteenth century, the volume alters and enriches our understanding of both American Christianity and indigenous religion. The essays here explore a variety of postcontact identities, including indigenous Christians, "mission friendly" non-Christians, and ex-Christians, thereby exploring the shifting world of Native-white cultural and religious exchange. Rather than questioning the authenticity of Native Christian experiences, these scholars reveal how indigenous peoples negotiated change with regard to missions, missionaries, and Christianity. This collection challenges the pervasive stereotype of Native Americans as culturally static and ill-equipped to navigate the roiling currents associated with colonialism and missionization. The contributors are Emma Anderson, Joanna Brooks, Steven W. Hackel, Tracy Neal Leavelle, Daniel Mandell, Joel W. Martin, Michael D. McNally, Mark A. Nicholas, Michelene Pesantubbee, David J. Silverman, Laura M. Stevens, Rachel Wheeler, Douglas L. Winiarski, and Hilary E. Wyss.

In the 1640s, eight Jesuit missionaries met their deaths at the hands of native antagonists. With their collective canonization in 1930, these men became North America's first saints. Emma Anderson untangles the complexities of these seminal acts of violence and their ever-changing legacy across the centuries. While exploring how Jesuit missionaries perceived their terrifying final hours, she also seeks to comprehend the motivations of those who confronted them from the other side of the axe, musket, or caldron of boiling water, and to illuminate the experiences of those native Catholics who, though they died alongside their missionary mentors, have yet to receive comparable recognition as martyrs. In tracing the creation and evolution of the cult of the martyrs across the centuries, Anderson reveals the ways in which both believers and detractors have honored andpreserved the memory of the martyrs in this "afterlife," and how their powerful story has been continually reinterpreted in the collective imagination. As rival shrines rose on either side of the U.S.-Canadian border, these figures would both unite and deeply divide natives and non-natives, francophones and anglophones, Protestants and Catholics, Canadians and Americans, forging a legacy as controversial as it has been enduring.

Marie-André Duplessis (1687-1760) guided the Augustinian sisters at the Hôtel-Dieu of Quebec - the oldest hospital north of Mexico - where she was elected mother superior six times. Although often overshadowed by colonial nuns who became foundresses or saints, she was a powerhouse during the last decades of the French regime and an accomplished woman of letters. She has been credited with Canada’s first literary narrative, Canada’s first music manual, and the first book by a Canadian woman printed during her own lifetime. In A Touch of Fire, the first biography of Duplessis, Thomas Carr analyzes how she navigated, in peace and war, the unstable, male-dominated colonial world of New France. Through a study of Duplessis's correspondence, her writings, and the rich Hôtel-Dieu archives, Carr details how she channelled the fire of her commitment to the hospital in order to advance its interests, preserve its history, and inspire her sister nuns. Duplessis chronicled New France as she wrote for and about her institution. Her administrative correspondence reveals her managerial successes and failures, and her private letters reshaped her friendship with a childhood Jansenist friend, Marie-Catherine Hecquet. Carr also delves into her relationship with her sister Geneviève Duplessis, who joined her in the cloister and became her managerial and spiritual partner. The addition of Duplessis's last letters provides a dramatic insider's view into the female experience of the siege and capture of Quebec in 1759. A Touch of Fire examines the life and work of an enterprising leader and major woman author of early Canada.

When strange signs appeared in the sky over Québec during the autumn of 1660, people began to worry about evil forces in their midst. They feared that witches and magicians had arrived in the colony, and a teenaged servant named Barbe Hallay started to act as if she were possessed. The community tried to make sense of what was happening, and why. Priests and nuns performed rituals to drive the demons away, while the bishop and the governor argued about how to investigate their suspicions of witchcraft. A local miller named Daniel Vuil, accused of using his knowledge of the dark arts to torment Hallay, was imprisoned and then executed. Stories of the demonic infestation circulated through the small settlement on the St Lawrence River for several years. In The Possession of Barbe Hallay Mairi Cowan revisits these stories to understand the everyday experiences and deep anxieties of people in New France. Her findings offer insight into beliefs about demonology and witchcraft, the limits of acceptable adolescent behaviour, the dissonance between a Catholic colony in theory and the church’s wavering influence in practice, the contested authority accorded to women as healers, and the insecurities of the colonial project. As the people living through the events knew at the time, and as this study reveals, New France was in a precarious position. The Possession of Barbe Hallay is both a fascinating account of a case of demonic possession and an accessible introduction to social and religious history in early modern North America.

Marie de l'Incarnation (1599 - 1672), renowned French mystic and founder of the Ursulines in Canada, abandoned her son, Claude Martin, when he was a mere eleven years old to dedicate herself completely to a consecrated religious life. In 1639, Marie migrated to the struggling French colony at Quebec to found the first Ursuline convent in the New World. Over the course of the next thirty-one years, the relationship between Marie and Claude would take shape by means of a trans-Atlantic correspondence in which mother and son shared advice and counsel, concerns and anxieties, and joys and frustrations. From Mother to Son presents annotated translations of forty-one of the eighty-one extant full-length letters exchanged by Marie and her son between 1640 and 1671. These letters reveal much about the early history of New France and the spiritual itinerary of one of the most celebrated mystics of the seventeenth century. Uniting the letters into a coherent whole is the distinctive relationship between an absent mother and her abandoned son, a relationship reconfigured from flesh and blood to the written word exchanged between professed religious united in Jesus Christ as members of the same spiritual family. In providing a contemporary translation of Marie's letters to Claude, Mary Dunn renders accessible to an English-speaking readership a rich source for the history of colonial North America, providing a counterpoint to a narrative weighted in favor of Plymouth Rock and the Puritans and a history of New France dominated by the perspectives of men both religious and secular. Dunn expertly contextualizes the correspondence within the broader cultural, historical, intellectual, and theological currents of the seventeenth century as well as within modern scholarship on Marie de l'Incarnation. From Mother to Son offers a fascinating portrait of the nature and evolution of Marie's relationship with her son. By highlighting the great range of their conversation, Dunn provides a window onto one of the more intriguing and complicated stories of maternal and filial affection in the modern Christian West.

This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volume’s organisation emphasises the multisensoriality and embodied nature of religious practices and experiences, refusing easy distinctions between asceticism and excess. The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change. The volume will be essential reading not only for scholars of religion and the senses, but for anyone interested in histories of medieval and early modern bodies, material culture, affects, and affect theory.