Acknowledgments Introduction 1: The Participatory Moment 2: "Reagan's Magic" and "Olliemania": How Journalists Invented the American People 3: The Living Traditions of Citizenship: From Monitoring to Mobilizing in the Summer of 1987 4: Turning the Intimate into the Public: The Participatory Act of Writing a Congressman 5: Choosing a Voice and Making It Count 6: Interpreting Politics in Everyday Life 7: Bringing Critical Issues into the Public Forum: Policing the World and Defining Heroism 8: Making Citizens Visible: Toward a Social History of Twentieth-Century American Politics Conclusion: Drawing Politics Closer to Everyday Life Note on Sources and Method Notes Index Copyright © Libri GmbH. All rights reserved.

Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE

Television and American Culture: An Overview introduces students to the study of television by looking at American television from a cultural perspective. The book is written for intermediate undergraduate and beginning graduate students for a range of television studies courses. Specifically, Mittell discusses television within the following contexts: the economics of the television industry, television's role within American democracy, the formal attributes of a variety of television genres, television as a site of gender and racial identity formation, television's role in everyday life, and the medium's technological and social impacts. The topical arrangement and comprehensive scope of the book differs from other television textbooks, arguing that we must incorporate a range of economic, political, aesthetic, and sociological perspectives to fully comprehend the medium of television.

Providing video companionship for isolated housewives, afternoon babysitting for children, and nonstop evening entertainment for the whole family, television revolutionized American society in the post–World War II years. Helping the first TV generation make sense of the new medium was the mission of Jack Gould, television critic of The New York Times from 1947 to 1972. In columns noteworthy for crisp writing, pointed insights, and fair judgment, he highlighted both the untapped possibilities and the imminent perils of television, becoming "the conscience of the industry" for many people. In this book, historian Lewis L. Gould, Jack Gould’s son, collects over seventy of his father’s best columns. Grouped topically, they cover a wide range of issues, including the Golden Age of television drama, McCarthy-era blacklisting, the rise and fall of Edward R. Murrow, quiz show scandals, children’s programming, and the impact of television on American life and of television criticism on the medium itself. Lewis Gould also supplies a brief biography of his father that assesses his influence on the evolution of television, as well as prefaces to each section.

Previously published as a special issue of Social Semiotics, this book grapples with such questions as: What does it mean to be a citizen in contemporary societies? What role do mass media play in the making of citizenship? Drawing on ground-breaking work from scholars around the world known for their contributions to the study of media and politics, this volume covers a range of practices of mediated citizenship, with chapters studying the mourning after the deaths of Pim Fortuyn and Theo van Gogh in the Netherlands and notions of authenticity in letters written to British Conservative politician Boris Johnson. The authors explore discourses of nationalism in the English and Scottish Press, and examine struggles over definitions of the public in Australian public service broadcasting and the US Medicare debate. Emerging possibilities for mediated citizenship are assessed in three studies of online activism and participation in the US and China. The book builds on conventional understandings of citizenship and the public sphere, calling attention to the need for understanding affective attachments to politics. Finally, it demonstrates that we cannot fully understand citizenship without looking at the concrete workings of power in and through mediated discourse.

Is the Internet destined to upset traditional political power in the United States? This book answers with an emphatic "no." Author Richard Davis shows how current political players including candidates, public officials, and the media are adapting to the Internet and assuring that this new medium benefits them in their struggle for power. In doing so he examines the current function of the Internet in democratic politics--educating citizens, conducting electoral campaigns, gauging public opinion, and achieving policy resolution-- and the roles of current political actors in those functions. Davis's unconventional prediction concerning the Internet's impact on American politics warrants a closer look by anyone interested in learning how this new communication medium will affect us politically.

Politicians rely on Twitter, Facebook and YouTube to exercise political power. Citizens around the world also use these tools to vent political frustrations, join political groups and organize revolutions. Political activists blog to promote candidates, solicit and coordinate financial contributions and provide opportunities for volunteers. iPolitics describes the ways in which new media innovations change how politicians and citizens engage the political arena. Among other things, contributors to this volume analyze whether the public's political knowledge has increased or decreased in the new media era, the role television still plays in the information universe, the effect bloggers have had on the debate and outcome of healthcare reform, and the manner in which political leaders should navigate the new media environment. While the majority of contributors examine new media and politics in the United States, the volume also provides a unique comparative perspective on this relationship using cases from abroad.