Learn the key techniques and strategies for writing haiku in English from acclaimed haiku poet, teacher, and translator Michael Dylan Welch. This book emphasizes the most effective targets for haiku poetry, ones that are usually not taught in schools. There's more to haiku, and less, than you might think. This concise book provides just the information you need to learn the art of haiku and to start becoming a haiku poet. About the Author Michael Dylan Welch has published his essays, reviews, translations, haiku, and other poetry in hundreds of journals and anthologies, and has won numerous awards for his work. He has served for many years as vice president of the Haiku Society of America, and served two terms as poet laureate of Redmond, Washington, where he also curates two poetry reading series. Michael also cofounded the Haiku North America conference (1991) and the American Haiku Archives (1996), founded the Tanka Society of America (2000), and started National Haiku Writing Month in 2010 (www.nahaiwrimo.com and on Facebook). Visit his personal website, devoted mostly to haiku, at www.graceguts.com. Endorsements "The real secret to becoming a haiku poet is to start writing haiku." From the foreword by Aubrie Cox "For many years Michael Dylan Welch's essays on haiku have guided newcomers and seasoned poets alike. With characteristic authority and humor, "Becoming a Haiku Poet" is yet another of his important contributions to the study and understanding of haiku poetry." Charles Trumbull, editor emeritus of "Modern Haiku" "Michael Dylan Welch's knowledge and experience with haiku is recognized internationally. He always has time to assist new poets starting out on the haiku path, to engage in a conversation about poetics, or to recommend a current essay or book. He never tires of answering the question: What is a haiku, anyway? "Becoming a Haiku Poet" is Michael's concise and informative answer." Terry Ann Carter, president of Haiku Canada

A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

Chiyo-Ni (1703-1775) is one of Japan's most unusual and renowned haiku poets, and this volume, the first major translation of her work in English, contains over 100 haiku, reproduced in Japanese script, Romaji, and in English. Chiyo-ni was one of the very few great female poets from an age when haiku was dominated by men. Her verses embody Zen-like simplicity and female sensuality, and reflect her life as a Buddhist nun, painter and poet who lived a life of supreme independence and aesthetic sensibility.

**Chosen for 2020 NCTE Notable Poetry Books and Verse Novels List** **Winner of 2020 Northern Lights Book Award for Poetry** **Winner of 2019 Skipping Stones Honor Awards** My First Book of Haiku Poems introduces children to inspirational works of poetry and art that speak of our connection to the natural world, and that enhance their ability to see an entire universe in the tiniest parts of it. Each of these 20 classic poems by Issa, Shiki, Basho, and other great haiku masters is paired with a stunning original painting that opens a door to the world of a child's imagination. A fully bilingual children's book, My First Book of Haiku Poems includes the original versions of the Japanese poems (in Japanese script and Romanized form) on each page alongside the English translation to form a complete cultural experience. Each haiku poem is accompanied by a "dreamscape" painting by award-winning artist Tracy Gallup that will be admired by children and adults alike. Commentaries offer parents and teachers ready-made "food for thought" to share with young readers and stimulate a conversation about each work.

The biennial Haiku North America conference celebrates its twenty-fifth anniversary with "Fire in the Treetops." This anthology assembles all the haiku and senryu published in previous conference anthologies. An extensive introduction by editor Michael Dylan Welch explores the history and future of the conference, and short essays by thirteen contributors feature poems selected from each conference. Christopher Patchel provides linocut artwork. "The art of haiku is mature and popular in the English language. If the existence and success of the biennial Haiku North America conferences do not sufficiently attest to this, now comes additional proof. "Fire in the Treetops" compiles more than a thousand haiku and senryu from all thirteen HNA anthologies from 1991 to 2015, a time when poets were stretching their wings, shaking off the restraints of Japanese traditions, and exploring new, individual approaches to this historical poetic genre. The poets whose work appears here comprise a veritable who's who of English-language haiku. I can hardly think of a single prominent North American haiku poet whose name cannot be found here. "Fire in the Treetops" chronicles the florescence of North American haiku and we might well consider the index of poets to be its pantheon. Michael Dylan Welch has done an enormous service for the North American haiku community." -Charles Trumbull, editor emeritus, "Modern Haiku," and past president, Haiku Society of America "Haiku North America is probably the most ambitious haiku event ever attempted outside of Japan. Everyone taking part in this coming-of-age celebration for English-language haiku will be helping to make literary history." -Cor van den Heuvel, on the back cover of the first HNA conference anthology, "Harvest"

"Generous, irreplaceable. . . . It's an eye-opener and a who's-who of haiku today."—Providence Sunday Journal Originally a Japanese form that flourished in the seventeenth and eighteenth centuries, haiku has recently experienced tremendous growth in popularity in the English language. The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes