Applies an understanding of Zen Buddhism to the 'absurdity' of Beckett, which is seen as an expression of deepest spiritual anguish.

From Pushcart Prize-winning author Lawrence Shainberg, a funny and powerful memoir about literary friendships, writing, and Zen practice. “Inexplicably good karma”—to this, author Lawrence Shainberg attributes a life filled with relationships with legendary writers and renowned Buddhist teachers. In Four Men Shaking he weaves together the narratives of three of those relationships: his literary friendships with Samuel Beckett and Norman Mailer, and his teacher-student relationship with the Japanese Zen master Kyudo Nakagawa Roshi. In Shainberg’s lifelong pursuit of both writing and Zen practice, each of these men represents an important aspect of his experience. The audacious, combative Mailer becomes a symbol in Shainberg’s mind for the Buddhist concept of “form,” while the elusive and self-deprecating Beckett seems to embody an awareness of “emptiness.” Through it all is Nakagawa, the earthy, direct Zen master challenging Shainberg to let go of his endless rumination and accept reality as it is.

Beckett and Buddhism undertakes a twenty-first-century reassessment of the Buddhist resonances in Samuel Beckett's writing. These reverberations, as Angela Moorjani demonstrates, originated in his early reading of Schopenhauer. Drawing on letters and archives along with recent studies of Buddhist thought and Schopenhauer's knowledge of it, the book charts the Buddhist concepts circling through Beckett's visions of the 'human predicament' in a blend of tears and laughter. Moorjani offers an in-depth elucidation of texts that are shown to intersect with the negative and paradoxical path of the Buddha, which she sets in dialogue with Western thinking. She brings further perspectives from cognitive philosophy and science to bear on creative emptiness, the illusory 'I', and Beckett's probing of the writing process. Readers will benefit from this far-reaching study of one of the most acclaimed writers of the twentieth century who explored uncharted topologies in his fiction, theatre, and poetry.

Acting: Walking the Tightrope of an Illusion invites readers to take a front-row seat in an advanced, experimental workshop taking place each Sunday morning in New York City's legendary HB Studio. In Michael Beckett's class, working on scenes or developing new material is meditation-in-action, a doorway to an experience of Zen. Going far beyond technique as such, Michael invites his students to explore the deeper realms of the human psyche and consciousness. In these pages, the alert and receptive reader will find keys -- keys to unlock the creativity and confidence that comes to those with the courage and adventurous spirit to embark on a whole new way of experiencing reality, both in life and on the stage.

This work provides an in-depth history of the Rinzai Zen monastic institution in Medieval Japan. Contents include chapters on Japanese zen pioneers and their patrons; Chinese émigré monks and Japanese warrior rullers; the gozan system; Zen monastic life and rules; the monastery and its subtemples; and the Zen monastic economy. Includes a foreword by Edwin Reischauer.

Endless Vow is the first English-language collection of the literary works of Soen Nakagawa Roshi. An intimate, in-depth portrait of the master of Eido Tai Shimano, his Dharma heir, introduces the poems, letters, journal entries, and other writings of Soen Roshi, which are illustrated with his calligraphies. In a postscript, some of his best-known American students—including Peter Matthiessen and Ruth McCandless—reminisce about this legendary figure of American Buddhist history.

Selections from Beckett's "Worstward Ho" in cursive script (from marking pen?) paired with original artists' gouaches by Klaus Zylla on facing pages.