Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came

“An absorbing page-turner, equal parts light and dark, and filled with the sweetest, swooniest ache. Everyone needs to read Jenny Torres Sanchez. Now.” —JENNIFER NIVEN, New York Times bestselling author of All the Bright Places and Holding Up the Universe From the backyards of suburban Florida to the parched desert of New Mexico, Because of the Sun explores the complexity of family, the saving grace of friendship, and the healing that can begin when the truth is brought to light. Dani learned to tolerate her existence in suburban Florida with her brash and seemingly unloving mother by embracing the philosophy Why care? It will only hurt. So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode: total numbness. It’s the only way she can go on. But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own. Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develops between them. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward.

Who do you think is stronger – the Sun or the North Wind? They both found themselves in a dispute because they both thought that they were strongest. They saw a traveler who was just passing by and they decided that whoever made the man remove his cloak would be proclaimed the strongest. A winner is declared. Who will it be and what is the moral of the story? Find out in Aesop’s fable "The North Wind and the Sun". Aesop's fables feature animals, legendary creatures, plants, inanimate objects, or forces of nature that speak, solve problems, and generally have human characteristics. All the stories story lead to a particular moral lesson. Aesop (620–564 BCE) was a storyteller that was believed to have lived in Ancient Greece. He is celebrated for a number of fables now collectively known as Aesop's Fables. In the few scattered sources about his life, Aesop was described as a slave who by his cleverness acquires freedom and becomes an adviser to kings and city-states. Although Aesop's existence remains unclear, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day.

"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--

The Existence By: Theodore Ihejieto The Existence is a book of love and life that talks about the world as the existence of human beings, and tells human beings to understand that the world is the love and the life. It is a book of Planet Earth, which the Planet Earth gave to the author, because the author asked the Planet Earth for the book of the world. The author is a human being who lost faith in God and called on Planet Earth to do work and save human beings from evil and death in the world. This is a book of a human being who was challenged by evil and death in the world, and the human being called on his existence for help and protection. The author did not like to die in the world and told his existence that he did not want to die, because the author believed that Planet Earth has the power to save human beings in the world. The Existence is the faith, the hope, and the charity that God challenged human beings to find and tell the mountain of evil and death to move away from human beings.

"When Stella does not want to go to bed, she tries all sorts of ways to keep the sun up"--

Shortlisted for the ReLit 2022 Poetry Award Smart, raunchy poems that are sorry-not-sorry. One minute she’s drying her underwear on the corner of your mirror, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen, to tell you the worst things about herself in hopes that you’ll still like her by the end. “Sticky, sad, and sultry, Exhibitionist is a merry-go-round circling back to the tender, awkward parts of ourselves. Molly Cross-Blanchard allows her poems to ask the reader out for ice cream, to fart at a dinner party, to sprawl out on a chaise lounge, stare through a dusty skylight and whisper that they think they may love you. And that love will be unmistakably mutual.” —Mallory Tater, author of The Birth Yard and This Will Be Good “Multiple orgasms appear in the first line of the first poem in Exhibitionist. Multiple orgasms, as a relative image or a practice, elicit everything from mystical worship to moral panic. Molly Cross-Blanchard understands this diametric power. She nods to this power with countless crisp and explicit images throughout her debut collection. Read her poems first to marvel at the well-crafted voicing of sexuality. Read a second time to appreciate Cross-Blanchard’s beautiful charge of juxtaposition. Again and again, she places the erotic beside mundane so that both are transformed — a dirty basement carpet becomes the backdrop of profound intimacy and gas station coffee acts as a symbol of self-discovery.” –Amber Dawn, author of My Art is Killing Me and Sodom Road Exit "If this book had a fragrance, it'd be a Britney perfume, any one of them really, but with hints of prairie in the dry late-summer, notes of the sweet ocean smell that passes through Vancouver when the wind gets high, and a fabulous pair of overalls.” —Katherena Vermette, author of River Woman and The Break