Nadav Kander creates unfailingly beautiful photographs with the formal precision of a master photographer. But beauty is the beguiling lure for Kander's disconcerting explorations into representation through genre as diverse as portraiture, landscape, and still life. He employs the seductive charm of aestheticism to expose our inconsistent response to the female nude, to probe questions of morality and desire in a series on Cuban prostitutes, and to manifest the fragile imbalances of the American landscape with its endlessly repeating artifice at the edge of vast emptiness. The book is composed of chapters of images, interleaved with short stories, poems, and essays, each responding to a particular image or section. Each sequence elaborates a narrative, at times driven by the commissioned texts and often arising from the friction between two dissociated images. Nadav Kander was born in Israel in 1961 and was raised in South Africa. In 1982 he moved to London, where in 1986 he set up his first studio. Kander has received international critical acclaim for his photography and is one of the most sought-after photographers working today. In the preceding few years, Kander has shot for numerous magazines and commercial accounts, including Nova, Visionaire, Dazed & Confused, Raygun, Rolling Stone, Zoom, the London Sunday Times, Sports Illustrated, Graphis, and others. He has exhibited in museums and galleries such as the Saatchi Gallery, the Victoria and Albert Museum, the National Portrait Gallery, the Royal Photographic Society, and the Tate Museum. This book, his first, is accompanied by an international touring exhibition.

In the spirit of The Gentle Art of Swedish Death Cleaning and The Joy of Less, experience the benefits of buying less and sharing more with this accessible 7-step guide to decluttering, saving money, and creating community from the creators of the Buy Nothing Project. In their island community, friends Liesl Clark and Rebecca Rockefeller discovered that the beaches of Puget Sound were spoiled by a daily influx of plastic items and trash washing on shore. From pens and toothbrushes to toys and straws, they wondered, where did it all come from? Of course, it comes from us—our homes, our backyards, our cars, and our workplaces. And so, a rallying cry against excess stuff was born. In 2013, they launched the first Facebook Buy Nothing Project group in their small town off the coast of Seattle, and they never expected it to become a viral sensation. Today there are thousands of Buy Nothing groups all over the world, boasting more than a million members, and 5,000 highly active volunteers. Inspired by the ancient practice of gift economies, where neighbors share and pool resources,The Buy Nothing, Get Everything Plan introduces an environmentally conscious 7-step guide that teaches us how to buy less, give more, and live generously. At once an actionable plan and a thought-provoking exploration of our addiction to stuff, this powerful program will help you declutter your home without filling landfills, shop more thoughtfully and discerningly, and let go of the need to buy new things. Filled with helpful lists and practical suggestions including 50 items you never need to buy (Ziploc bags and paper towels) and 50 things to make instead (gift cards and salad dressing), The Buy Nothing, Get Everything Plan encourages you to rethink why you shop and embrace a space-saving, money-saving, and earth-saving mindset of buying less and sharing more.

The greatly admired essayist, novelist, and philosopher, author of Cartesian Sonata, Finding a Form, and The Tunnel, reflects on the art of translation and on Rainer Maria Rilke's Duino Elegies -- and gives us his own translation of Rilke's masterwork. After nearly a lifetime of reading Rilke in English, William Gass undertook the task of translating Rilke's writing in order to see if he could, in that way, get closer to the work he so deeply admired. With Gass's own background in philosophy, it seemed natural to begin with the Duino Elegies, the poems in which Rilke's ideas are most fully expressed and which as a group are important not only as one of the supreme poetic achievements of the West but also because of the way in which they came to be written -- in a storm of inspiration. Gass examines the genesis of the ideas that inform the Elegies and discusses previous translations. He writes, as well, about Rilke the man: his character, his relationships, his life. Finally, his extraordinary translation of the Duino Elegies offers us the experience of reading Rilke with a new and fuller understanding.

An encyclopedic study on the role that fear and anxiety have played as the organizing motives of human existence and social life. Hankiss explains how human beings have surrounded themselves with protective symbols: myths and religions, values and belief systems, ideas and scientific theories, moral and practical rules of behaviour, and a wide range of everyday rituals and trivialities.

Living with his little brother, Fudge, makes Peter Hatcher feel like a fourth grade nothing. Whether Fudge is throwing a temper tantrum in a shoe store, smearing smashed potatoes on walls at Hamburger Heaven, or scribbling all over Peter's homework, he's never far from trouble. He's a two-year-old terror who gets away with everything—and Peter's had enough. When Fudge walks off with Dribble, Peter's pet turtle, it's the last straw. Peter has put up with Fudge too long. How can he get his parents to pay attention to him for a change?

“You want to be free,” Theo told her. “But you don’t even allow yourself to dream of it, even with small things, like singing a song.” A new wave of anger, both at him and at herself, washed over her. “If I am free, I am free to refuse,” she muttered. “It’s not a matter of freedom, but fear.” “I am not afraid!” “Aren’t you?” Theo asked quietly. “No.” Rose waited to hear Theo argue with her. But he said nothing. In order to defeat the sorceress Magdalina, and free herself from her curse, Rose, the Princess of Rhone, has set out to find dragon’s blood. As she travels toward the Romani territory, where the Serpent’s Garden resides, she is accompanied by her faithful group of friends, including their newest member, Prince Philip of Einish. But when the group ends up shipwrecked on the small island of Maltia, they find themselves trapped without supplies and a way off the island. With time, money, and new enemies working against them, Rose remains determined despite her despair to rise to each challenge. But can she face the growing fear—and longing—inside herself? Sweet, suspenseful, and full of surprises, Beauty’s Quest is the second book in the Once Upon a Princess saga from C. S. Johnson. Enjoy Part II of this historical fantasy retelling of the Sleeping Beauty fairy tale!

Through the magnificent literary, scholarly, and psychological analysis of the text that is her trademark, Avivah Gottlieb Zornberg tackles the enduring puzzlement of the book of Numbers. What should have been for the Israelites a brief journey from Mount Sinai to the Holy Land becomes a forty-year death march. Both before and after the devastating report of the Spies, the narrative centers on the people's desire to return to slavery in Egypt. At its heart are speeches of complaint and lament. But in the narrative of the book of Numbers that is found in mystical and Hasidic sources, the generation of the wilderness emerges as one of extraordinary spiritual experience, fed on miracles and nurtured directly by God: a generation of ecstatic faith, human partners in an unprecedented conversation with the Deity. Drawing on kabbalistic sources, the Hasidic commentators depict a people who transcend prudent considerations in order to follow God into the wilderness, where their spiritual yearning comes to full expression. Is there a way to integrate this narrative of dark murmurings, of obsessive fantasies of a return to Egypt, with the celebration of a love-intoxicated wilderness discourse? What effect does the cumulative trauma of slavery, the miracles of Exodus, and the revelation at Sinai have on a nation that is beginning to speak? In Bewilderments, one of our most admired biblical commentators suggests fascinating answers to these questions.