You think you know these stories, don’t you? You are wrong. You don’t know them at all. Twelve tales, twelve dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that free hearts long kept tame, truths that explore life . . . and death. A prince has a surprising awakening . . . A beauty fights like a beast . . . A boy refuses to become prey . . . A path to happiness is lost. . . . then found again. New York Times bestselling author Soman Chainani respins old stories into fresh fairy tales for a new era and creates a world like no other. These stories know you. They understand you. They reflect you. They are tales for our times. So read on, if you dare. THE SCHOOL FOR GOOD AND EVIL is the #1 movie now streaming on Netflix—starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many others!

These two beasts want to take her to their castle and ravish her. Isabelle’s older brother owes a huge debt to his two friends—two friends Isabelle has crushed on since she was a teen. When they demand Isabelle as payment, she has no choice. She must go to their castle. Dustin and Micah are dominant, beastly men who want nothing more than to protect and claim Isabelle. She used to be an awkward teenager but has grown into a stunning woman. The arrangement is only supposed to last for a week. One week shouldn’t be enough time to fall in love…yet somehow this beautiful girl uses her heart to tame not one, but two beasts. Beauty’s Beasts is a steamy, modern-day MFM fairy tale. It was previously published under the title Their Little Sundae in the Eat Your Heart Out 3 charity anthology. If you just want to get into, get off to, and then get out of a story, try the Fiercely Filthy Fairy Tales series—a group of MFM standalone erotic romances.

Today's consumers are growing increasingly animal-conscious. In recent polls, sixty percent of women said they preferred products that were not tested on animals, while seventy-two percent of Americans said they preferred synthetic fur instead of animal fur. Yet, caring, compassionate people still wonder how they can look and feel great without wearing or consuming animal products. Heather Chase has the answer. In her groundbreaking book, Chase provides information and tools to help consumers choose animal-friendly skin care products, apparel, foods, entertainment, and more. Beauty without the Beasts contains specific product guidelines as well as background information on what products contain animal parts and how you can avoid them. Beautifully illustrated and written, Beauty without the Beasts will inform the mind, please the eye, touch the heart, and inspire the spirit.

A trainer shares true stories of famous lion, orangutan, and other animal actors that “will hold readers enthralled” (School Library Journal). They are major stars who do not speak a word onscreen, yet are world famous for their compelling performances. Who are they? The animal stars of the big screen, of course! In The Beauty of the Beasts, Ralph Helfer shares with the reader his love of animals and his work with some of Hollywood’s biggest stars: Clarence the Cross‐Eyed Lion, Gentle Ben, the Schlitz Malt Liquor Bull, Clint Eastwood’s orangutan sidekick Clyde, and many more. Helfer shares his philosophy on training these beautiful beasts to do amazing feats and maximize their acting potential without coercion. Join Ralph Helfer in his exploration of animal acting and read of his masterful use of TLC to work with these phenomenal, non‐human actors.

All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.