From bestselling, Printz Award-winning author Libba Bray, the story of a plane of beauty pageant contestants that crashes on a desert island.Teen beauty queens. A "Lost"-like island. Mysteries and dangers. No access to emall. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count.

Modern beauty contests were invented by P.T. Barnum in the United States, but in the 20th century pageants and contests have spread across the entire world from Nepal to Tierra Del Fuego. Why are women (and sometimes men in drag) parading on stage such a universally appealing spectacle, attracting an audience in the billions? This book is the first global comparison of pageants from different parts of the world, at the ways each contest is both intensely local and unique, and simultaneously global and remarkable repetitious. The authors use the latest tools of feminist, ethnographic, and literary scholarship to unpack and interpret one of the greatest and most universal spectacles of modern times.

In this charming romantic comedy perfect for fans of Meg Cabot and Sophie Kinsella, critically acclaimed author Teri Wilson shows us that sometimes being pushed out of your comfort zone leads you to the ultimate prize. Charlotte Gorman loves her job as an elementary school librarian, and is content to experience life through the pages of her books. Which couldn’t be more opposite from her identical twin sister. Ginny, an Instagram-famous beauty pageant contestant, has been chasing a crown since she was old enough to enunciate the words world peace, and she’s not giving up until she gets the title of Miss American Treasure. And Ginny’s refusing to do it alone this time. She drags Charlotte to the pageant as a good luck charm, but the winning plan quickly goes awry when Ginny has a terrible, face-altering allergic reaction the night before the pageant, and Charlotte suddenly finds herself in a switcheroo the twins haven’t successfully pulled off in decades. Woefully unprepared for the glittery world of hair extensions, false eyelashes, and push-up bras, Charlotte is mortified at every unstable step in her sky-high stilettos. But as she discovers there’s more to her fellow contestants than just wanting a sparkly crown, Charlotte realizes she has a whole new motivation for winning.

Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.

Couchsurfer, hitchhiker, and rogue wanderer Jamie Maslin embarks on a couchsurfing adventure to the homeland of “firebrand,” “populist,” “anti-American” president Hugo Chavez: the Bolivarian Republic of Venezuela. Alone in the crime capital of the world Maslin immediately finds himself in trouble—arrested by knife-wielding police officers and inoculated with an unwanted vaccination. After a terrifying start in Caracas, he soon leaves the teeming city and travels to the places tourists never see, staying on the couches of people he befriended online just days earlier, and meeting everyone from fervent social revolutionaries to the country’s wealthy elite. He sets off in search of mile-high waterfalls, flat topped jungle plateaus, rolling deserts, and the famous lightning that appears suddenly in the sky with no rain or thunder. Visiting sprawling slums and opulent mansions, Maslin offers a fascinating and timely social, cultural, and historical introduction to a country increasingly in the headlines. Often irreverent, frequently informative, and habitually funny, this is the remarkable account of a young adventurer’s journey through a breathtakingly beautiful and dynamic country where the politics of oil and social revolution are never far from the surface.

The well-known Kenyan woman writer here tells an exciting story for young readers. The title is one in a series developed to meet the supplementary reading needs of secondary level pupils, and to encourage reading for pleasure. Reminiscent of the proverb that the serpent hisses where sweet birds sing, the story starts when Adela and Keti jokingly enter a village beauty contest - the start of excitement and adventure, fraught with danger and tragedy.

Through micro-analysis of language use, this book chronicles young women's pathways to becoming a Tanzanian beauty queen, offering an original perspective on the intersection of language with globalization, nationalism, and inequality in urban East Africa. This compelling linguistic ethnography considers the real-life effects, both on- and off-stage, of language policy, education, and gender dynamics for the women competing in the pageants. While highlighting many contestants' struggles for escape from poverty and patriarchy, the book also emphasizes their creative strategies – linguistic and otherwise – for bettering their lives and shows how people living in a global economic periphery take part in, and sometimes feel left out of, the wider world.