Sumptuously illustrated and fascinatingly written - a vast store of wisdom on the nature of ugliness by one of our most celebrated contemporary thinkers.

This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretical framework of philosophical aesthetics, Kant’s theory of taste, which was put forward in part one of the Critique of the Power of Judgment. The book explores the possibility of incorporating ugliness, a negative aesthetic concept, into the overall Kantian aesthetic picture. It addresses a debate of the last two decades over whether Kant's aesthetics should allow for a pure aesthetic judgment of ugliness. The book critically reviews the main interpretations of Kant’s central notion of the free play of imagination and understanding and offers a new interpretation of free play, one that allows for the possibility of a disharmonious state of mind and ugliness. In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness and the role of disgust in artistic representation. Offering a theoretical and practical analysis of different kinds of negative aesthetic experiences, this book will help readers acquire a better understanding of his or her own evaluative processes, which may be helpful in coping with complex aesthetic experiences. Readers will gain unique insight into how ugliness can be offensive, yet, at the same time, fascinating, interesting and captivating.

The first illustrated book by one of the world’s most acclaimed authors, History of Beauty presents an intriguing journey into the wonderful realm of aesthetics, exploring the ever-changing concept of the beautiful from ancient Greece to today with abundant examples. Closely examining the development of the visual arts and drawing on literature from each era, the range of Eco’s inquiry includes concepts such as the idea of love, natural inspiration versus numeric formulas, and the unattainable woman. In the mold of History of Beauty, On Ugliness is an exploration of the monstrous and the repellant in visual culture and arts. Eco’s encyclopedic knowledge and captivating storytelling combines in this ingenious study of the ugly, revealing that we often shield ourselves from what we’re most attracted to subliminally. With numerous examples of art, and quotations from the most celebrated writers and philosophers of each age, this provocative book explores in-depth the concepts of evil, depravity, and darkness in art and literature.

Cites examples in art, architecture, and history to consider whether ugliness is an aesthetic judgment subject to taste, considering whether an object whose appearance is related to something negative can still be considered beautiful.

"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Ugly dolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

In all ugliness, beauty lies within, representing individuals like you and me, who are willing to look deep inside ourselves to admit the truth about the ugliness in us. Do not only admit it, but address it where it demonstrates strength and strong will to overcome life’s challenges without making excuses. Everyone knows that life can be unfair at times; the question is, during the midst of it, how are we going to react? Usually, in the face of adversity, one is defined in character. This book expresses a lot of heartache, as well as triumph. I am hoping that my readers will embrace the essence of its beauty although shown in darkness because all can relate. At some point or another, life has hit you with uncertainty; the fact that you are reading this book proves your triumph over life’s setbacks. I am proud of you. Within these pages, I have tried to reveal the reality of bondage in its true form then turned it around for beauty for the sole propose of saving other people’s lives through awareness. If I can turn ugliness into art through creative writing, then there are no limits to what you can do; just do humbly, and loveliness and grace will beseech you and everything you set your hearts to do in life will prosper.

"A process-oriented invitation to heal a deep wound in women and in the feelings of men."-Arnold Mindell.