Young Khye was always spoiled and told that her beauty would get her far. However, no one told her that beauty without brains would lead to a dead end. Khye and her family moved to Harlem from London when she was nine. She figured out quickly that her accent garnered attention. A decade later, her now exaggerated accent grabs the attention of many men. But Khye only has eyes for Floyd, a pretty boy making a name for himself in the music industry. When Floyd is murdered in the recording studio, Khye begins investigating. Secrets about who he really was and how he really earned his living begin to surface, and Khye is determined to pick up right where he left off.

In May 1968, demonstrations against the French government spread across Parisian universities, and then to factories and other workplaces, resulting in a general strike of eleven million workers that brought the country to a virtual standstill. Among the students were a group who called themselves the Atelier Populaire, who produced hundreds of posters to encourage the protestors and to report on police brutality. Beauty Is In The Street reproduces over 200 of these posters which have become landmarks in political art and graphic design. Also included are a wealth of photographs, many published for the first time, and translations of first-hand accounts of the clashes between the students and strikers and the police.

Hip-hop artist Tip "T.I." Harris has received every acclaim the music world has to offer. Now, working with bestselling celebrity collaborator David Ritz, T.I. applies all his talent and experience to the world of fiction by creating the epic love story of Power and Beauty. After the death of his mother, Charlotte, Paul “Power” Clay allows himself to be guided by Slim, a local businessman. Slim always has the best of everything, and Power is sure that if he learns Slim's ways, he'll make something of himself--and perhaps be worthy of Tanya “Beauty” Long. From Chicago to Miami to New York, through drugs, women, and violence, Power makes the difficult transition from boy to man and, in doing so, begins to question if those who have taught him--including Slim--truly have his best interests at heart. Beauty has always known that the only person she can rely on is herself. After her mother died when she was eleven years old, she was adopted by close family friend Charlotte Clay. But with Charlotte's death, Beauty knows she's no longer safe and protected--especially as Power gets sucked into a new kind of life. As soon as she can, she turns her back on Atlanta--and the growing love she feels for Power--for a chance to make it in the Big Apple. With a successful fashion career on the horizon, Beauty takes New York by storm with her wit, business savvy, and breathtaking good looks. But she's never forgotten those she left behind. And when it becomes clear that Power needs her, Beauty will risk everything to save the man she loves.

“A startling, clear-eyed” memoir of an immigrant girl’s childhood in early 20th century NYC from the journalist and Tony-winning co-author of Kiss Me Kate (Booklist). Born in Transylvania in 1899, Bella Spewack arrived on the streets of New York’s Lower East Side when she was three. At twenty-two, while working as a reporter with her husband in Europe, she wrote a memoir of her childhood that was never published. More than seventy years later, the publication of Streets recovers a remarkable voice and offers a vivid chronicle of a lost world. Bella, who went on to a brilliant career write for stage and screen with her husband Sam, describes the sights, sounds, and characters of urban Jewish immigrant life after the turn of the century. Witty, street-smart, and unsentimental, Bella was a genuine American heroine who displays in this memoir “a triumph of will and spirit” (The Jewish Week).

In urban life, streets are elemental, but urban history seldom places them centre stage. It tends to view them as mere backdrops for events or social relations, or to study them as material constructions, the fruit of urban planning, but largely vacant of inhabitants. Examining people and streets in tandem, the contributors to this volume strive towards more integrated urban history. They discuss the social and political processes of early modern street life, and the discursive play in which streets figured. Six chapters, based in Sweden-Finland, England, Portugal, Italy, and Transylvania, discuss the subtle interplay of the material and immaterial, public and private, planned order and versatility, spontaneous invention, control and resistance – all matters central to how streets worked. Contributors are Emese Bálint, Maria Helena Barreiros, Elizabeth S. Cohen, Thomas V. Cohen, Alexander Cowan, Anu Korhonen, Riitta Laitinen, and Dag Lindström.

A catalog of an exhibition that surveys the history of international graffiti and street art.