Cemalnur Sargut, the Turkish leader of the Rifa'i Sufi order, occupies a special place in the intellectual and social landscape of contemporary Islam. This is so for multiple reasons. As a female Sufi teacher who commands a loyal and active worldwide following, especially in Turkey, Sargut's career as a scholar and Sufi leader represents an important case study in the dynamics of contemporary global Sufism. This volume represents the first text in English translation that brings together some of her major discourses and teachings as presented to her students through the genre of oral discourses. More Specifically, the discourses that form the core of this book were collected through oral interviews with Cemalnur conducted by her students as part of a weekly program aired on a national Turkish radio station. The original Turkish transcription on which this English translation is based is titled Dinle (Listen), and was published in 2012 by Nefes press.1 Cemalnur has been actively training disciples and students in the teachings and practices of the Rifa'i Sufi order for the last forty years. While her oral and written discourses are widely available in Turkish, they have until now remained inaccessible to an English language audience. This book seeks to address this lacuna by introducing key aspects of her thought and spiritual orientation in English. In this brief introduction I wish to provide readers a broad outline of the key themes and concepts that animate the lineaments of Cemalnur's thoughts as presented in this book. In addition, I also hope to provide readers with the intellectual and institutional context in which one might be able to place Cemalnur's thought and scholarly career. Moreever, I will also have the occasion to discuss the literary genre within Sufism and Islamic literature that corresponds to the kind of oral teachings and sermons that populate the pages of this book. Finally I will briefly explain the stylistic decisions and choices that were made in the presentation of this text.

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.

Every year at an exclusive private boarding school in New York state, the graduating students uphold an old tradition - they must swear an oath of secrecy and leave behind a "treasure" for each incoming senior. When Duncan Meade inherits the room and secrets of Tim Macbeth, he uncovers evidence of a clandestine romance, and unravels the truth behind one of the biggest mysteries in the school's history. How far would you go to keep a secret?

This powerful book contains chapters by 22 of the world’s leading luminaries in the field of personal development and spiritual transformation, including bestselling authors Neale Donald Walsch (Conversations With God) and Don Miguel Ruiz (The Four Agreements). Covering topics from co-creating a peaceful world, forgiveness, healing, and finding purpose and happiness, to chapters about health, well-being, destiny, and the mysteries of kundalini, The Light also includes practical exercises and guidance, empowering readers to achieve their greatest potential.

A collection of essays introducing Dietrich von Hildebrand's philosophy of art, truth, and beauty.

Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.