"Drunk ghosts, feral mothers...riveting obsessions and unbelongings and captivities-the fragmented texts in Beautiful, Violent Things seethe and grip and fluoresce without apology. In these eleven dispatches, Madeline Anthes carefully weaves desire and estrangement, reimagines power as a woman's capacity for hollowing a man, the ability to deliver impossibilities from her misappropriated body. The speakers in this collection compose a primal song, reprise-with blood and feathers and new ferocity-the iconoclastic feminisms of Kate Chopin and Charlotte Perkins Gilman. Anthes is alive on the page, a writer to watch." - Tara Stillions Whitehead, author of Blood Histories "I know these stories by Madeline Anthes. You know them too. They are the stories we whisper to each other: Mother to daughter, sister to sister, friend to friend. They are the stories about the things we want, the things we need, the things that have broken us, the things that have tried to break us. Listen closely to the voices in these stories -- you will find someone you know in them. You might even find yourself. This is a powerful debut collection from a gifted writer. We are lucky to have it." - Cathy Ulrich, author, Ghosts of You "The narrators in Beautiful, Violent Things want powerfully. They want to be seen, want to be left alone, want to hold their baby, want to want to hold their baby-but more than anything, they want you to listen to their voices. To the way the words sound coming from their mouths in a cold and specific arrangement. I am Wendy, chrome sleek and velvet fast: breathing heat and running wild. They want you to hear what lies just behind their words: the impossible problem of desire. A problem Anthes has studied like a scholar. Let's listen to what she's found-all these alluring, dangerous voices calling out." - Tyler Barton, author of Eternal Night at the Nature Museum "The stories in Beautiful, Violent Things are alive, visceral and raw, not just in the blunt emotional honesty of their narrators-women who know what they want, who feel the twisted pull of the lives they have and the ones they've given up to be mothers and lovers-but in the prose, so very warm with poetry and song. Anthes is a writer who understands how to make the quiet moments in life roar." - Christopher Gonzalez, author of I'm Not Hungry But I Could Eat

A Literary Hub Best Book of Year • A Crime Reads Best Debut of the Year • A Newsweek 25 Best Fall Books • A Philadelphia Inquirer 10 Big Books for the Fall • An O Magazine.com LGBTQ Books That Are Changing the Literary Landscape in 2020 Selection • An Electric Lit Most Anticipated Debut of the Second Half of 2020 • A Paperback Paris Best New LGBTQ+ Books To Read This Year Selection • A Passport Best Book of the Month The Secret History meets Lie with Me in Micah Nemerever's compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence. When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. Paul will stop at nothing to prove himself worthy of their friendship, because with Julian life is more invigorating than Paul could ever have imagined. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel, and Paul becomes increasingly afraid that he can never live up to what Julian expects of him. As their friendship spirals into all-consuming intimacy, they each learn the lengths to which the other will go in order to stay together, their obsession ultimately hurtling them toward an act of irrevocable violence. Unfolding with a propulsive ferocity, These Violent Delights is an exquisitely plotted excavation of the depths of human desire and the darkness it can bring forth in us.

"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--

Abby Abernathy is re-inventing herself as the good girl as she begins her freshman year at college, which is why she must resist lean, cut, and tattooed Travis Maddox, a classic bad boy.

This volume explores the relationship among beauty, violence, and representation in a broad range of artistic and cultural texts, including literature, visual art, theatre, film, and music. Charting diversifying interests in the subject of violence and beauty, dealing with the multiple inflections of these questions and representing a spectrum of voices, the volume takes its place in a growing body of recent critical work that takes violence and representation as its object. This collection offers a unique opportunity, however, to address a significant gap in the critical field, for it seeks to interrogate specifically the nexus or interface between beauty and violence. While other texts on violence make use of regimes of representation as their subject matter and consider the effects of aestheticization, beauty as a critical category is conspicuously absent. Furthermore, the book aims to "rehabilitate" beauty, implicitly conceptualized as politically or ethically regressive by postmodern anti-aesthetics cultural positions, and further facilitate its come-back into critical discourse.

Banksy, the Yes Men, Gandhi, Starhawk: the accumulated wisdom of decades of creative protest is now in the hands of the next generation of change-makers, thanks to Beautiful Trouble. Sophisticated enough for veteran activists, accessible enough for newbies, this compact pocket edition of the bestselling Beautiful Trouble is a book that’s both handy and inexpensive. Showcasing the synergies between artistic imagination and shrewd political strategy, this generously illustrated volume can easily be slipped into your pocket as you head out to the streets. This is for everyone who longs for a more beautiful, more just, more livable world – and wants to know how to get there. Includes a new introduction by the editors. Contributors include: Celia Alario • Andy Bichlbaum • Nadine Bloch • L. M. Bogad • Mike Bonnano • Andrew Boyd • Kevin Buckland • Doyle Canning • Samantha Corbin • Stephen Duncombe • Simon Enoch • Janice Fine • Lisa Fithian • Arun Gupta • Sarah Jaffe • John Jordan • Stephen Lerner • Zack Malitz • Nancy L. Mancias • Dave Oswald Mitchell • Tracey Mitchell • Mark Read • Patrick Reinsborough • Joshua Kahn Russell • Nathan Schneider • John Sellers • Matthew Skomarovsky • Jonathan Matthew Smucker • Starhawk • Eric Stoner • Harsha Walia

"A violent, funny, shockingly addictive debut..."Once upon a time, Laura Park was a normal college sophomore with her best friend at her side. A year later, Laura was on a deserted road on the outskirts of Las Vegas killing a man. She didn't expect to get away with it but she did with the help of a stranger named Simon who took her in, liquored her up, and broke her down. Soon the ambitious Simon introduces her to Frank Joyce, a man who would teach her how to become a stone-cold professional killer. Laura learns her deadly trade and earns her money. Twenty-six years old and she thinks she's found her happily ever after. Sadly it all falls apart when Simon leaves her for another. Now some other woman, blonde and polished, all shiny and new, is living Laura's happy life.Heartbroken, but knife always at the ready, Laura waits for any opportunity to get Simon back. The question is, when she gets her chance, will she take it? In Laura's world anyone can become a target, loyalties can shift in a blink of an eye, and when everyone is homicidal, people are definitely going to die.