In Terracene Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.

The imaginaries of northern landscape have not remained static in the era of ecological crisis but play a pivotal function within the geopolitics of visual representation. Such imaginaries can sanction those dominant discourses that frame environmental catastrophe as the consequence of undifferentiated human activity, but, it is argued, they also have the capacity to represent a complexity and heterogeneity frequently absent from this broad discursive field. The contributors to this volume engage with the practice, curation and utilization of photography and other lens-based media, to examine the critical role of visual culture in shaping and interrogating conceptions of environmental catastrophe.

La Brea Tar Pits once trapped prehistoric mammals. Today that killer has a chemical cousin in the Athabasca oil sands of Alberta, Canada--immense deposits of natural asphalt destined for upgrading to synthetic crude oil. If the harvesting of this natural asphalt continues unabated, we might find ourselves stuck in a muck of a different kind. Humanity has used asphalt for thousands of years. This humble hydrocarbon may have glued the first arrowhead to the first shaft, but the changes wrought by this material are most dramatic since its emergence as pavement. Since the 1920s the automobile and blacktop have allowed unprecedented numbers of Americans to experience the beauty of their continent from the Adirondacks to the Rockies and beyond, to Big Sur and the Pacific Coast Highway. Blacktop roads, runways, and parking lots constitute the central arteries of our environment, creating a distinct "political territory" and a "political economy of velocity." In Asphalt: A History Kenneth O'Reilly provides a history of this everyday substance. By tracing the history of asphalt--in both its natural and processed forms--from ancient times to the present, O'Reilly sets out to identify its importance within various contexts of human society and culture. Although O'Reilly argues that asphalt creates our environment, he believes it also eventually threatens it. Looking at its role in economics, politics, and global warming, O'Reilly explores asphalt's contribution to the history, and future, of America and the world.

The Handbook of Cultural Studies in Education brings together interdisciplinary voices to ask critical questions about the meanings of diverse forms of cultural studies and the ways in which it can enrich both education scholarship and practice. Examining multiple forms, mechanisms, and actors of resistance in cultural studies, it seeks to bridge the gap between theory and practice by examining the theme of resistance in multiple fields and contested spaces from a holistic multi-dimensional perspective converging insights from leading scholars, practitioners, and community activists. Particular focus is paid to the practical role and impact of these converging fields in challenging, rupturing, subverting, and changing the dominant socio-economic, political, and cultural forces that work to maintain injustice and inequity in various educational contexts. With contributions from international scholars, this handbook serves as a key transdisciplinary resource for scholars and students interested in how and in what forms Cultural Studies can be applied to education.

This edited volume focuses on the evolving nature of peacebuilding. Chapters address important and timely questions, including how groups select their peacebuilding methods, whether any form of violence is acceptable, and the role of neoliberalism. Further, the contributions here, written from a variety of disciplinary perspectives, evaluate the effectiveness of many historical and current peacebuilding efforts. The book offers cutting edge work in the field of peace and conflict studies, and will be useful to academics, students, and educators.

This lovingly crafted selection of writings show us the viewpoint from the Self. Reading these writings will lift your consciousness up into a place before division. Every great teacher that has lived from and as the One has described how reality actually is and this book will give you a taste of your real Self along with pointers of how to realise that Self that you are. Let this collection uplift and inspire you to find that greatness within yourself. Let these words become alive inside you and blossom into a full experience of peace, love and joy. Recognition of your real Self is waiting and available right now. This book is formed from the loved filled expressions of an enlightened being in the heights of bliss and joy. It is offered lovingly to lift you up also.

Teak has been attracting way too much attention lately. Will he learn his lesson when he is banished to Canada's far north? Teak has always taken what he wants, when he wants, with no regard for the council of vampires overseeing his every move. When he crosses the line, he is sent to the far north as punishment and severely warned not to drink from any human there. He's also told to blend in by taking up his old profession. It all seems doable...until Teak meets the attractive pharmacist, Marcus Kent. When Teak tries to steal a bite as well as a kiss by glamouring the object of his desire, he discovers that where Marcus is concerned, his powers are moot.