This book is certain to appeal to the millions of Jewish women interested in Jewish literature and the writings of Cynthia Ozick, Francine Prose, and Grace Paley. Beautifully packaged, it is an ideal Mother's Day or Bat-Mitzvah gift. This volume contains translations of Yiddish stories from eminent scholars--including an Isaac Bashevis Singer story that has never before been published in English--and well-known tales that Jewish readers everywhere love. As bestsellers such as Everything is Illuminated by Jonathan Safran Foer and For the Relief of Unbearable Urges by Nathan Englander have demonstrated, there is a strong interest in Jewish stories. Yiddish culture and music have seen a resurgence in recent years. NPR's All Things Considered aired a series of highly acclaimed documentaries about the Yiddish Radio Project and Klezmer musicians regularly play at top alternative venues.

Taking stock of Yiddish literature in 1939, critic Shmuel Niger highlighted the increasing number and importance of women writers. However, awareness of women Yiddish writers diminished over the years. Today, a modest body of novels, short stories, poems and essays by Yiddish women may be found in English translation online and in print, and little in the way of literary history and criticism is available. This collection of critical essays is the first dedicated to the works of Yiddish women writers, introducing them to a new audience of English-speaking scholars and readers.

Winner, 2022 MLA Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies From the Jewish Provinces showcases a brilliant and nearly forgotten voice in Yiddish letters. An insistently original writer whose abrupt departure from the literary scene is the stuff of legend, Fradl Shtok composed stories that describe the travails of young women looking for love and desire in a world that spurns them. These women struggle with disability, sexual violence, and unwanted marriage, striving to imagine themselves as artists or losing themselves in fantasy worlds. The men around them grapple with their own frustrations and failures to live up to stifling social expectations. Through deft portraits of her characters’ inner worlds Shtok grants us access to unnoticed corners of the Jewish imagination. Set alternately in the Austro‐Hungarian borderlands and in New York City, Shtok’s stories interpret the provincial worlds of the Galician shtetl and the Lower East Side with literary sophistication, experimenting with narrative techniques that make her stories expertly alive to women’s aesthetic experiences.

Tony Kushner’s award-winning epic play Angels in America was remarkable not only for its sensitive engagement of Jewish-American and gay culture but also for bringing these themes to a mainstream audience. While the play represented a watershed in American theater and culture, it belies a hundred years of previous attention to queer Jewish identity in twentieth-century American literature, drama, and film. In The Passing Game, Warren Hoffman sheds light on this long history, taking up both Yiddish and English narratives that explore the tensions among Jewish identity, queer sexuality, performance, and American citizenship. With fresh insight Hoffman examines the 1907 Yiddish play God of Vengeance by Sholem Asch, the cross-dressing films of Yiddish actress Molly Picon, and several short stories by Isaac Bashevis Singer. He also analyzes the English-language novels The Rise of David Levinsky (Abraham Cahan), Wasteland (Jo Sinclair), and Portnoy’s Complaint (Phillip Roth). Hoffman highlights the ways in which the characters in these canonical texts attempt to "pass" as white, straight, and American in the early and mid-twentieth century. This pioneering work is a welcome contribution to the study of Jewish American literature and culture.

Jewish women have had a fraught relationship with history, struggling for inclusion while resisting their limited role as (re)producers of the future. In Queer Expectations, Zohar Weiman-Kelman shows how Jewish women writers turned to poetry to write new histories, developing "queer expectancy" as a conceptual tool for understanding how literary texts can both invoke and resist what came before. Bringing together Jewish women's poetry from the late nineteenth century, the interwar period, and the 1970s and 1980s, Weiman-Kelman takes readers on a boundary-crossing journey through works in English, Yiddish, and Hebrew, setting up encounters between writers of different generations, locations, and languages. Queer Expectations highlights genealogical lines of continuity drawn by authors as diverse as Emma Lazarus, Kadya Molodowsky, Leah Goldberg, Anna Margolin, Irena Klepfisz, and Adrienne Rich. These poets push back against heteronormative imperatives of biological reproduction and inheritance, opting instead for connections that twist traditional models of gender and history. Looking backward in queer ways enables new histories to emerge, intervenes in a troubled present, and gives hope for unexpected futures.

In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of women Yiddish poets. Framed by a consideration of Ezra Korman's 1928 anthology of women poets, Hellerstein develops a discussion of poetry that extends from the sixteenth century through the twentieth, from early modern Prague and Krakow to high modernist Warsaw, New York, and California. The poems range from early conventional devotions, such as a printer's preface and verse prayers, to experimental, transgressive lyrics that confront a modern ambivalence toward Judaism. In an integrated study of literary and cultural history, Hellerstein shows the immensely important contribution made by women poets to Jewish literary tradition.

Explores the universal longing for home, illuminated through the essays, poetry, and fiction of forty Jewish women writers from around the world.