This selection of Oscar Wilde’s writings provides a fresh perspective on his character and thinking. Compiled from his lecture tours, newspaper articles, essays and epigrams, these pieces show that beneath the trademark wit, Wilde was a deeply humane and visionary writer, as challenging today as he was in the late 1800s. This edition includes essays on interior design, prison reform, Shakespeare, the dramatic dialogue Decay of Lying and the seminal Soul of Man.

De Profundis (Latin: "from the depths") is a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to "Bosie" (Lord Alfred Douglas).In its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wilde's conviction and imprisonment for gross indecency. He indicts both Lord Alfred's vanity and his own weakness in acceding to those wishes. In the second half, Wilde charts his spiritual development in prison and identification with Jesus Christ, whom he characterises as a romantic, individualist artist. The letter began "Dear Bosie" and ended "Your Affectionate Friend".Wilde wrote the letter between January and March 1897, close to the end of his imprisonment. Contact had lapsed between Douglas and Wilde and the latter had suffered from his close supervision, physical labour and emotional isolation. Nelson, the new prison governor, thought that writing might be more cathartic than prison labour. He was not allowed to send the long letter which he was allowed to write "for medicinal purposes"; each page was taken away when completed, and only at the end could he read it over and make revisions. Nelson gave the long letter to him on his release on 18 May 1897.Wilde entrusted the manuscript to the journalist Robert Ross (another former lover, loyal friend and rival to "Bosie"). Ross published the letter in 1905, five years after Wilde's death, giving it the title "De Profundis" from Psalm 130. It was an incomplete version, excised of its autobiographical elements and references to the Queensberry family; various editions gave more text until in 1962 the complete and correct version appeared in a volume of Wilde's letters.

Here is a collection of this witty and irreverent author's works--all in their most authoritative texts. Includes The Picture of Dorian Gray, The Importance of Being Earnest, and other stories and essays.

Oscar Wilde's 'The Collected Works of Oscar Wilde: 250+ Titles in One Edition' is a comprehensive collection of the renowned author's complete works, showcasing his wit, satire, and exploration of societal norms. Wilde's literary style is characterized by his clever wordplay, sharp social commentary, and unconventional themes, making him a prominent figure in the literary world. The book includes a wide range of genres, from comedic plays like 'The Importance of Being Earnest' to philosophical essays like 'The Decay of Lying', demonstrating Wilde's versatility as a writer. His works often challenge traditional Victorian values and norms, offering readers a fresh perspective on society and human behavior. Oscar Wilde's keen observation of human nature and sharp wit are evident throughout this collection, making it a must-read for fans of classic literature and those interested in exploring the complexities of human relationships and society. Wilde's unique writing style and thought-provoking themes continue to captivate readers and remain relevant in today's society.

The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it. Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.

A pictoral essay by the great art critic, novelist and long-time smoker, John Berger, and Turkish writer and illustrator Selçuk Demirel. "Once upon a time, men, women and (secretly) children smoked." This charming illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)