Beaucourt is one of the last parts of the Battle of the Somme still to be covered, until now, by the splendid Battleground Europe Series. It was also one of the last actions of the Battle of the Somme, 1916.The eventual capture of Beaucourt along with Beaumont Hamel forced the Germans to retreat to their new defensive position known as the Hindenburg Line. The Battle of Beaucourt was also known as the Gough Offensive, led by General Gough, with a large proportion of the troops involved being from the Royal Naval Division. Indeed, Beaucourt is where Bernard Freyberg of that division won his Victoria Cross.Following the usual Battleground style, readers are taken on a voyage of discovery through the village of Beaucourt and along the banks of the Ancre in the direction of Cambrai.

She is but a Woman, the first in-depth study of medieval Scottish queens, investigates the relationship between gender and power in the medieval Scottish court by exploring the art of queenship as practised by Joan Beaufort and Mary of Guelders, queens of James I and James II. These women were excluded from authority but clearly possessed power as wives and mothers of kings. They established and cultivated relationships with members of the court, learned about Scottish political life and supported their husbands in the business of government. The book examines for the first time the arrivals of Joan and Mary in Scotland, their social and political status, their relationships with their husbands and families, and their roles in international diplomacy. This modern re-evaluation of the role and power of the medieval queen is a thematic exploration rather than a biographical study. It situates the experiences of Joan and Mary within a broader European context and provides a new perspective on Scotland's political, social and cultural links with Europe in the fifteenth century.

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.

Study of the reign of Louis XVI