Beatrice likes the dark. She likes black clothes, graveyard picnics, and a sky full of stars. Her sister, Roo, likes the light. She likes bright clothes, picking strawberries, and hot, sunny days. Beatrice and Roo are nothing alike and don’t understand each other. Can Beatrice help Roo love the dark as much as she does? Can Roo help Beatrice love the light? Or are they simply too different to get along? With lushly detailed artwork, award-winning illustrator Khoa Le brings to vivid life acclaimed author April Tucholke’s heartwarming, slightly spooky tale about two very different sisters who learn to celebrate their individuality, understanding that love runs deeper than their differences.

Dante's Inferno is often presented today in lurid 'gothic' terms as if it were no more than an entertaining demonic freak-show. Alternately, it is taken as merely a cultural and political commentary on Dante's own place and time, cast in allegorical terms. But the Inferno, and the Divine Comedy as a whole, are much more than that. The human passions, and the Mystery of Iniquity of which they are expressions, are fundamentally the same in any place and time; the Inferno presents not so much a history of sin as a catalogue of the archetypes of sin, the fundamental ways in which all of us are tempted to betray the human form. Based on the works of a number of the Greek Fathers, on the writings of several members of the Traditionalist School, notably Frithjof Schuon and Rene Guenon, and on the kind of wide personal experience of the violation of the human form that is available to anyone in these times with both the requisite discernment-rooted in love-and the courage to keep his or her eyes open, Jennifer Doane Upton has once again seen Dante's Inferno as it really is. It is the record of the struggle of the human mind, will, and emotions to discover and name, by the grace of God, the sins resident in the human soul. As both a traditional re-presentation and a contemporary revisioning of the 'examination of conscience', individual and collective, Dark Way to Paradise is at once an exegetical masterpiece and a handbook of demonology of concrete use to any true physician of the soul. In its direct application of metaphysical principles to 'infernal psychology', it is unique among Dante commentaries. And in a time like ours, when the Western Church appears to be dissolving before our eyes, to save again what Dante himself saved out of the great medieval Christian synthesis has never been so timely.

Reading St. John of the Cross’s Dark Night can be daunting; living the dark experience of purification it describes can be much more so. The description of the dark nights (yes, there is more than one!) which St. John presents seems so stark and painful that one might be tempted to just close the book and stop reading. On top of that, both the process St. John describes and the language he uses can be confusing and intimidating. The language of 16th-century scholasticism is not easily understood by 21st-century readers living in a completely different culture and context. Perhaps even more challenging is that fact that our modern lives, filled with the non-stop clutter of social media and technology, as well as comfort and ease, do not prepare most of us well to honestly look into our own depths to see who we are and who we are intended to become as fully alive human beings. Fortunately we now have this helpful book to guide us to that full life which St. John invites us to in The Dark Night. Father Marc Foley here combines his own theological and psychological background, as well as his experience as a spiritual guide, to help modern readers understand the experiences, challenges, and graced events of the purifying nights of sense and spirit. In addition to exploring certain key terms that John uses in Spanish and their meaning in the saint’s time and today, Father Marc includes pertinent selections from a wide range of writers, ancient to modern, that illustrate the themes he covers. Each chapter concludes with insightful questions for personal reflection or group discussion. The book has a comprehensive index.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Excerpts: "I am afraid this ghost story will bear a very faded aspect when transferred to paper. Whatever effect it had on you, or whatever charm it retains in your memory, is, perhaps, to be attributed to the favorable circumstances under which it was originally told.” (The Ghost of Doctor Harris) "The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within.” (The House of the Seven Gables) American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of the Romantic movement and, more specifically, Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. Contents: Introduction: Biography of Nathaniel Hawthorne The House of the Seven Gables (A Novel) The Minister's Black Veil The Hollow of the Three Hills The White Old Maid Dr. Heidegger's Experiment The Birth-mark Young Goodman Brown Rappaccini's Daughter Roger Malvin's Burial The Artist of the Beautiful John Inglefield's Thanksgiving Wives of the Dead An Old Woman's Tale Antique Ring Graves and Goblins The Ghost of Doctor Harris Apparitions

The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is a literary journey that transcends the commonplace, delving into the realms of the macabre, the supernatural, and the darkly mysterious. This anthology boasts a collection that spans a broad spectrum of literary styles, from gothic horror and eerie ghost stories to unsettling tales of the uncanny and supernatural investigations. The diversity and significance of the works included cannot be overstated, featuring standout pieces from the Victorian era to the early twentieth century, encapsulating the evolution of horror and mystery in literature. The anthology serves as a conduit to explore the depths of human fears, anxieties, and the unknown through a compendium of narratives that challenge the boundaries of imagination and reality. The contributing authors and editors of this collection represent a pantheon of literary giants, each bringing their unique voice and perspective to the overarching theme. From the psychological terror of Edgar Allan Poe to the cosmic horror of H.P. Lovecraft; from the gothic romance of the Brontë sisters to the social critiques of Charles Dickens and the pioneering science fiction of H.G. Wells; these authors collectively contribute to the rich tapestry of horror and supernatural literature. The anthology aligns with various historical, cultural, and literary movements, enriching the readers understanding by offering a myriad of lenses through which to view the complexities of fear, the supernatural, and the human condition. The Horror Beyond Life's Edge: 560+ Macabre Classics, Supernatural Mysteries & Dark Tales is an indispensable volume for readers seeking to immerse themselves in the breadth and depth of gothic, horror, and supernatural literature. This anthology offers a unique opportunity to explore a multiplicity of perspectives, themes, and narratives within a single tome. It is a call to readers to delve into the abyss of the macabre, to confront the shadows lurking at the edges of life, and to explore the diversity of human expression found in the confrontation with the unknown. For scholars, enthusiasts, and casual readers alike, this collection stands as a monumental testament to the enduring power and appeal of the horror and mystery genre.

"Oh, kind is Death that Life's long trouble closes, Yet at Death's coming Life shrinks back affright; It sees the dark hand,—not that it encloses A cup of light. So oft the Spirit seeing Love draw nigh As 'neath the shadow of destruction, quakes, For Self, dark tyrant of the Soul, must die, When Love awakes. Aye, let him die in darkness! But for thee,— Breathe thou the breath of morning and be free!" Rückert. Translated by F. W. B.

An existential murder mystery about two rival writers willing to do anything--lie, steal, kill--to get the perfect story.