Beatrice d'Este, Duchess of Milan, 1475-1497 is a biography by Julia Cartwright. Beatrice d'Este was Duchess of Bari and Milan by marriage to Ludovico Sforza (known as "il Moro"). She was one of the most significant characters of the time and, in spite of her short life, was a key player in Italian politics. A woman of culture, an important patron, and a leader in fashion.

Isabella d’Este, Marchioness of Mantua (1474-1539), is one of the most studied figures of Renaissance Italy, as an epitome of Renaissance court culture and as a woman having an unusually prominent role in the politics of her day. This biography provides a well-rounded account of the full range of her activities and interests from her childhood to her final years as a dowager, and considers Isabella d’Este not as an icon but as a woman of her time and place in the world. It covers all aspects of her life including her relationship with her parents and siblings as well as with her husband and children; her interest in literature and music, painting and antiquities; her political and diplomatic activities; her concern with fashion and jewellery; her relations with other women; and her love of travel. In this book, grounded in an understanding of the context of the Italy of her day, the typical interests and behaviour of women of Isabella d’Este’s status within Renaissance Italy are distinguished from those that were unique to her, such as the elaborate apartments that she created for herself and her extensive surviving correspondence, which provides insights into all aspects of life in the major courts of northern Italy, centres of Renaissance culture. Providing fresh perspectives on one of the most famous figures of Renaissance Italy, Isabella d’Este will be of great interest to undergraduates and graduates of early modern history, gender studies, renaissance studies and art history.

The historiography of the Italian Renaissance has been much studied, but generally in the context of a few key figures. Much less appreciated is the extent of the enthusiasm for the subject in the 19th and early 20th centuries, when the subject was 'discovered' by travellers and men and women of letters, historians, artists, architects and photographers, and by collectors on both sides of the Atlantic. The essays in Victorian and Edwardian Responses to the Italian Renaissance explore the breadth of the responses stimulated by the encounter between the British, the Americans and the Italians of the Renaissance. The volume approaches the subject from an interdisciplinary perspective. While recognising the abiding importance of the familiar 'great names', it seeks to draw attention to a wider cast of people, many of whom led colourful, energetic lives, knew Italy well, and wrote eloquently about the country and its Renaissance. Several essays show that 'Renaissance studies' became a field in which female historians could explore areas of relevance to the 'New Woman'. Other chapters examine the aims and politics of collecting and the place of the collector in literature and in the rediscovery of Renaissance artists. The contribution of teachers and other less formal champions of the Italian Renaissance is explored, as is the role of photographers who re-framed and re-viewed Florence - the Renaissance city - for Victorian and later eyes.

In the first book systematically to give evidence of conjugal co-rule at an Italian Renaissance court, and the first full length scholarly study of Isabella d'Este and Francesco Gonzaga, Sarah Cockram shows their relationship in an entirely new light. The book draws on (and presents) a large amount of unpublished archival material, including almost unprecedented surviving correspondence between and around these Renaissance princely rulers. Using these sources, Cockram shows Isabella and Francesco's strategic teamwork in action, illuminating tactics of collaboration and dissimulation. She also reveals behind-the-scenes diplomatic activity; court procedures; sexual politics and seduction; gift-giving and network-building; rivalries, intrigues and assassinations. Several epistolary themes emerge: insights into the couple's communication practices and double-dealing, their use of intermediaries, and attention to security matters. This book's analysis of Isabella's co-rule with her husband, supported by other members of the Gonzaga dynasty, sees her sometimes in the role of subordinate partner, sometimes guiding the couple's actions. It shows how, despite appearances at times, the couple shared common diplomatic policy as well as human, material, and cultural resources; joint administration; and the exercise of authority and justice. Thus emerges a three-dimensional picture of the mechanisms of power and power sharing in the age of Machiavelli.