Emma can't believe her luck when her phone mysteriously reappears after she dropped it in the sea. She thought she'd lost her holiday pictures forever! But when Emma returns home, her phone starts flashing strange underwater images and receiving calls with no sound but crashing waves. Turns out Emma didn't just bring back souvenirs from the beach, but a spirit who is tired of swimming alone.

Goosebumps now on Disney+! Jerry can't wait to explore the dark, spooky old cave he found down by the beach. Then the other kids tell him a story. A story about a ghost who is three hundred years old. A ghost who comes out when the moon is full. A ghost . . . who lives deep inside the cave! Jerry knows it's just another silly made-up ghost story . . . isn't it?!

It's the ultimate beach party in California. And Karen, who's just broken up with her boyfriend, is going to enjoy every minute of it--especially having two new guys who like her. But the party takes a nasty turn when Karen realizes someone is out to spoil the fun by getting rid of her.

The Nightmare by Gertrude Mabel Barrows Bennett is about Mr. Jacob Lutz, a merchant who attains a valuable and mysterious trinket. "PHILIP, did you notice that tall, thin man in the gray ulster, who was walking up and down the boat deck just before dinner?" "Yes, sir. I observed the gentleman. Very aristocratic appearance, if I may say so, Mr. Jones." "Exactly. He never bought that ulster in New York. When we reach London I want you to look around and see if you can find a tailor who will make me one of the same cuts."

Parade's "10 Books Written by Women We Can't Wait to Read in 2019" | She Reads' "Most Anticipated Thillers of Summer 2019" | Pure Wow's "The Best Beach Reads of Summer 2019" | CrimeReads' "The Most Anticipated Crime Books of Summer" From bestselling author Michele Campbell comes A Stranger on the Beach, an edge-of-your seat story of passion and intrigue that will keep you guessing until the very end. Caroline Stark’s beach house was supposed to be her crowning achievement: a lavish, expensive space to showcase what she thought was her perfect family. But after a very public fight with her husband, she realizes things may not be as perfect as they seem: her husband is lying to her, the money is disappearing, and there’s a stranger on the beach outside her house. As Caroline’s marriage and her carefully constructed lifestyle begin to collapse around her, she turns to Aidan, the stranger, for comfort...and revenge. After a brief and desperate fling that means nothing to Caroline and everything to him, Aidan’s infatuation with Caroline, her family, and her house becomes more and more destructive. But who is manipulating whom in this deadly game of obsession and control? Who will take the blame when someone ends up dead...and what is Caroline hiding?

Around the world, when people think of vacation it's the beach they want--even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our fears and dreams? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions. Urbain traces the transformation of the beach from a place of mythological threats and a demanding workplace fraught with danger to a destination for medical treatment and the pursuit of pleasure. He looks to the emergence of the modern vacation in the nineteenth century, examines representations of beachgoing in literature and the arts, and shows the transgressive side of beach culture--from nudism to hedonism to various "scandals" about costume, behavior, and sexuality that make the beach the site of social spectacle as well as leisure. Urbain's ultimate focus is the paradoxical enterprise of the residential seaside vacationer, who travels in order to stay in one place and who leaves the everyday world behind to reconstruct an idealized version of it at the shore. He argues that unlike tourists, who move from place to place, beach vacationers are not seeking to explore nature, to discover other cultures, or even to "get away from it all"; rather, they are attempting to re-create their own identities through a simplified community they can no longer find elsewhere. Blending history with social observation, Urbain presents an original, incisive, and entertaining account of this enduring ritual of escape and recreation.