“Remarkable, engaging.… Be Like the Fox can be read with pleasure by anyone interested in the craft of politics and the life of ideas.”—New York Times Book Review In the five hundred years since he wrote The Prince, Machiavelli’s name has been linked to tyranny and the doctrine that “the ends justify the means.” But that is not what he stood for. In Be Like the Fox, Erica Benner takes us back to Renaissance Florence, where newly liberated citizens fought to build a free republic after the Medici princes were exiled. Machiavelli dedicated his life to this struggle for freedom. But despite his heroic efforts, the Medici soon swept back into power. Forced out of politics and prevented from speaking freely, Machiavelli had to use his skills of foxlike dissimulation to defend democracy in an era of tyrannical princes. Drawing on his letters, political writings, hard-hitting satirical dramas, and conversations with kings and popes, Be Like the Fox reveals Machiavelli as an unlikely hero for our times.

Niccol Machiavelli lived in a fiercely competitive world, one where brute wealth, brazen liars and ruthless self-promoters seemed to carry off all the prizes and a new breed of leaders - super-rich dynasties like the Medici or military strongmen like Cesare Borgia - promised radical alternatives to the status quo. In the republic of Florence, Machiavelli and his contemporaries faced a choice- should they capitulate to these new princes, or fight to save the city's democratic freedoms? In this book, Erica Benner follows Machiavelli's dramatic quest for political and human freedom through his own eyes. Far from the cynical henchman people think he was, Machiavelli emerges as his era's staunchest champion of liberty, a profound ethical thinker who refused to compromise his ideals to fit corrupt times. But he did sometimes have to mask his true convictions, becoming a great artist of fox-like dissimulation- a master of disguise in dangerous times.

Professor Skinner presents a lucid analysis of Machiavelli's text as a response to the world of Florentine politics.

Machiavelli's Ethics challenges the most entrenched understandings of Machiavelli, arguing that he was a moral and political philosopher who consistently favored the rule of law over that of men, that he had a coherent theory of justice, and that he did not defend the "Machiavellian" maxim that the ends justify the means. By carefully reconstructing the principled foundations of his political theory, Erica Benner gives the most complete account yet of Machiavelli's thought. She argues that his difficult and puzzling style of writing owes far more to ancient Greek sources than is usually recognized, as does his chief aim: to teach readers not how to produce deceptive political appearances and rhetoric, but how to see through them. Drawing on a close reading of Greek authors--including Thucydides, Xenophon, Plato, and Plutarch--Benner identifies a powerful and neglected key to understanding Machiavelli. This important new interpretation is based on the most comprehensive study of Machiavelli's writings to date, including a detailed examination of all of his major works: The Prince, The Discourses, The Art of War, and Florentine Histories. It helps explain why readers such as Bacon and Rousseau could see Machiavelli as a fellow moral philosopher, and how they could view The Prince as an ethical and republican text. By identifying a rigorous structure of principles behind Machiavelli's historical examples, the book should also open up fresh debates about his relationship to later philosophers, including Rousseau, Hobbes, and Kant.

Machiavelli is usually understood as a thinker who separated morality from politics or who championed Roman, pagan morality over conventional, Christian morality. Belliotti argues, instead, that Machiavelli's innovation is his understanding of the perhaps irresolvable moral conflicts that exist within political leaders who fulfill the duties of their offices while accepting the authority of absolute moral principles. Machiavelli is a moral pessimist who insists that politicians must 'risk their souls' when performing their public responsibilities. Politicians and military leaders must dirty their hands in service to their constituents. This is especially the case when one strong man founds a state or reforms a corrupt state. History washes away_that is, excuses_many of the horrifying deeds that are required in such cases. Belliotti does not try to domesticate Machiavelli by picturing him as a liberal humanist inclined only toward free government. Nor does he paint him as a teacher of evil. Instead, the book offers a balanced understanding of the Florentine, with special focus on his insights and his myopias. Machiavelli's view of human nature and his conclusion that international affairs have always been and will always be a series of zero-sum contests lead him to stunning discoveries and glaring errors alike.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.

A ruthless prince, a political traitor, and a dead Medici. What could possibly go wrong? Exiled, isolated, and depressed, Niccolo Machiavelli longs to return to power at any cost-but with the threat of torture still hanging over his head, Niccolo must bend to the will of the powerful Medici family. When a mysterious letter sends him to investigate the murder of a Medici, Niccolo stumbles into a dangerous world of rich young patricians, mysterious prostitutes, and shocking violence. Set against the vibrant backdrop of Renaissance Florence, Machiavelli must rely on his wits to navigate the currents of power and brutality, never knowing who he can trust. Niccolo thinks he can play the fox to outwit his enemies-but has he underestimated the lion?