A follow up to the highly successful examination of Bay Areas contemporary graffiti scene, this book gives the history of two decades of graffiti as seen throught the eyes of two graffiti artists. Veteran graffiti writers SFaustina and Jocelyn Superstar have collaborated on a history of the graffiti scene in the San Franscisco Bay area from the early 1980s to the late 1990s. The result of their collaboration, Bay Area Graffiti: 8090, provides a glimpse into street art history that is seldom seen: one that is authored by a pair of writers who have 40 years of graffiti experience between them and provides an insiders view on the history and relevance of graffiti. Bay Area Graffiti: 8090 will include interviews with a range of the periods artists, including BIGFOOT, ESKIMO, MQ, and REVOK.

Fabled as a region that embraces freedom of expression in all of its guises, the San Francisco Bay Area has long been a world-renowned cultural hotbed. Bay Area Graffiti is the first comprehensive retrospective of the area's vibrant contemporary street-art scene. Documented by the distinctive photographic eye of Steve Rotman, the book's images showcase innovative art made all over the Bay Area, as well as how it blends into the region's stunning landscapes. Having befriended so many of the Bay Area's major writers and street artists, Rotman provides intimate profiles of dozens of artists from the Bay Area alongside photos of their work. Bay Area Graffiti is for fans of street art and photography the world over!

San Francisco’s rich and unique cultural history since its time as a gold rush frontier town has long made it a bastion of forward thinking and freedom of expression. It makes perfect sense, then, that both it and the surrounding Bay Area should prove to be a crucible for some of the most enduring and influential music of the rock and roll era. From the heady days of Haight-Ashbury in the ’60s to today, San Francisco and the Bay Area have provided a distinctive soundtrack to the American experience that has often been confrontational, controversial, enlightening, and always entertaining. Perhaps best known for the '60s psychedelic scene which included the Grateful Dead, Jefferson Airplane, Creedence Clearwater Revival, Santana, the Steve Miller Band, Sly & the Family Stone, and Janis Joplin, the Bay Area's rock and roll history twists and turns like Lombard Street itself. The first wave San Francisco punks wrought the Avengers and Dead Kennedys; punk later gripped the East Bay, giving us Green Day and Rancid. From the folk and blues eras through the chart-topping sounds of Journey and Huey Lewis & the News. The rock equivalent of Manifest Destiny carried wave upon wave of young musicians in search of fame, fortune and the great lost chord to Golden Gate City. San Francisco and the surrounding Bay Area have collectively produced countless key figures in rock and roll, from musicians to journalists to entrepreneurs. The modern concept of the vast outdoor rock festival took root in and around San Francisco. The Bay Area is also where music history happened to artists from almost everywhere else: San Francisco is where the Beatles played their final concert and the Sex Pistols fell apart; where the Clash recorded much of their second album; where a drug-addled Keith Moon passed out during a concert by the Who only to be replaced behind the drum kit by an eager fan. Rock and roll is baked into the Bay Area’s culture and story to this day. A guide to the places that shaped the local scene and world-famous sound, the Rock and Roll Explorer Guide to San Francisco and the Bay Area will take you to where music makers lived, rocked, performed, recorded, met, broke up, and much, much more.

Book description to come.

A catalog of an exhibition that surveys the history of international graffiti and street art.

Through stories, cartoons, interviews, disses, parodies and original research, Bomb the Suburbs challenges the suburban mind-set wherever it is found, in suburbs and corporate headquarters, but also in cities, housing projects and hip-hop itself, debating key questions within the urban black community. Aimed at hip-hop insiders and outsiders alike to elevate hip-hop, pop culture and ourselves to a higher standard of art, ethics, intellect, strategy, adventure and honesty, this humorous, incisive treatise from the author of No More Prisons. With b/w illustrations throughout.

How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.