"Dreams play a powerful role in Indigenous culture, serving as warning, insight, guidance, solace, or hope. Bawaajigan - an Anishinaabemowin word for dream or vision - is a collection of powerful literary short fiction by Indigenous writers from across Turtle Island. Stories about the connection between the spirit world and everyday life and the rest of the cosmos; urban-fantasy and high-fantasy worlds; alternative histories, and alternative realities; brushes with the supernatural, the prophetic, the hallucinatory, and the surreal. Among these themes we find stories ranging from the gritty, the gothic, the comedic, and the heart-wrenchingly tragic: a tale about the state of sleep-deprivation that conjures an uncertainty as to where dream ends and reality begins; the ominous tension of television static that conjures a certainty of something terrible about to happen; encounters with spirit guides, and spirit enemies; confrontations with ghosts haunting residential school hallways, and ghosts looking on from the afterlife; and with concepts based on Ouija boards, bead-dreamers, Haudenosaunee wizards, talking eagles, giant snakes, sacred white buffalo calves, spider's silk, a burnt and blood-stained diary, longings for what could-have-been, worm holes fallen through reality, poppy-induced deliriums, imaginary friends, and knowledge revealed. Unifying everything: these are stories about the strength and power of dreams."--

I wanted a good bewildering, / down deep, / as the keep of a castle. With a voice as ungovernable and determined as Prometheus—who stole fire from Zeus only to face dire consequences—Colleen Coco Collins' debut poems are daring dispatches from beyond the margins: light-filled flares sent up from the edge of language, sentience, land, and story. Drawing on all of her multidisciplinary enamorations and rendered through the triple vision of her Irish, French, and Odawa heritage, Sorry About the Fire introduces not just a poet, but a stunningly original sensibility.

“After the Immortal invasion, they take over every nation on earth and set themselves up as rulers without any accountability! I'd call that a pretty successful invasion," Tom summed up. Gizhaa was shaking his head involuntarily, but all he said was, "I've never heard this before.” Nearly a thousand years after Earth has recovered from a catastrophic war, the conquering Immortals rule the world, demanding annual tribute in exchange for prospering rains. But not everyone is happy with the system. When siblings Gizhaa and Inaa accompany their father on a historic diplomatic journey to the capital, they find themselves at the centre of a plot to restore an ancient government. Someone doesn’t want their journey to succeed, however, and they are soon entwined in political espionage. They must decide if they will help to overthrow the Immortals or trust their own gifts, which warn them of great danger ahead. When it seems Inaa’s heart is compromised, leading her into a reckless relationship, Gizhaa wonders if he will lose her. But how much will it cost him… and the world?

An interconnected collection of stories set on the fictional Northern Ontario Reserve of Ghost Lake, featuring a cast of interrelated characters and their encounters with the supernatural and other phenomenon, with themes ranging from love, loss, and relationships, to the meaning of monstrosity, violence, tragedy, and justice. Ghost Lake is the sequel to Nathan Adler's debut novel, Wrist, published in 2016

"This book would be an important enough document if it only collected the memories and cultural wisdom of one of the most respected of the Anishinaabe elders living in Minnesota, Naawigiizis, Jim Clark. It is even more valuable in that it captures his remarkable impressions not just in English, Jim's second language, but also presents several stories in Ojibwe, his first language--and for good measure, gives us two stories only in Ojibwe. All readers have a first person account of growing up in two cultures in the early decades of the 20th century as the Ojibwe people struggled to keep their traditions in the face of the mounting pressures to assimilate into White culture. People who know or are learning the Ojibwe language, and want to preserve it, also have a vital record of a way of thinking and speaking that embodies these traditions as no mere artifact can"--Back cover.

A vision shared. A manifesto. This remarkable work argues that Anishinabeg need to reconnect with non-colonized modes of thinking, social organization, and decision making in order to achieve genuine sovereignty. In Our Hearts Are as One Fire, Jerry Fontaine recounts the stories of three Ota’wa, Shawnee, and Ojibway-Anishinabe leaders who challenged aggressive colonial expansion – Obwandiac, Tecumtha, and Shingwauk. He weaves Ojibwaymowin language and knowledge with conversations with elders and descendants of the three leaders. The result is a book that reframes the history of Manitou Aki, sharing a vision of how Anishinabe spiritual, cultural, legal, and political principles will support the leaders of today and tomorrow.

The two phenomena highlighted in this edited volume 'motherhood/mothering and masculinities' are each recent areas of development in critical Feminist and Men's Studies. In contributing to these areas of gender studies, this book draws attention to the fact that much can also be gained when we explore relationships between them, an idea that may not readily come to mind. While femininities and masculinities are co-constructed, motherhood and mothering bring additional perspectives to the study of femininity that affect the construction of masculinity in complex ways. The 12 chapters in this volume allow readers to ponder some of these complexities and may suggest other issues that require investigation. Spanning many continents, the essays have both a global and historical reach emphasising cultural differences and historical changes. Of import is the idea that mothers have agency and are active in constructions affecting their lives. They are able to bring motherhood out of the shadows as they strive to build, re-evaluate, or alter their roles within families and communities. These have an impact on developments in masculinities. The book is divided into three parts and the chapters investigate a wide range of issues including cultural constructs, gender in parent/child, relationships, non-binary developments, the impact of war on mothering, decolonisation struggles, and much more.