Watch the dancers as they leap, spin, and kick their way through this beautiful pop-up book. Inspired by the eccentric and innovative Bauhaus Triadic Ballet, this gorgeous book explores colours, shapes, patterns, and movements in a visually stunning and enthralling way. With bold artwork rendered in Lesley Barnes' striking style and playful text by Gabby Dawnay, this special pop-up book will appeal to all ages.

Few creative movements have been more influential than the Bauhaus, under the leadership of Walter Gropius. The art of the theater commanded special attention. The text in this volume is a loose collection of essays by Oskar Schlemmer, Laszlo Moholy-Nagy, and Farkas Molnár (who in an illustrated essay shares his vision of a total theatre space), with an introduction by Bauhaus leader Walter Gropius. Originally published in German in 1924, Die Bühne im Bauhaus was translated by A. S. Wensinger and published by Wesleyan in 1961. It was prepared with the full cooperation of Walter Gropius and his introduction was written specially for this edition. From Bauhaus experiments there emerged a new aesthetic of stage design and presentation, a new concept of "total theater." Its principles and practices, revolutionary in their time and far in advance of all but the most experimental stagecraft today, were largely the work of Oskar Schlemmer, Laszlo Moholy-Nagy, and their students. Profusely illustrated and startling in its typography (the work of Moholy-Nagy), the 1924 volume quickly became a collector's item and is now virtually unobtainable. Those interested in the stage, the modern visual arts, or in the bold steps of the men of genius who broadened the horizons of aesthetic experience will appreciate that this translation is available again.

How exciting! The ballet class is going to stage a production of The Nutcracker. Meet the students - the eager Josh, the perfectly presented Pia, the untidy Bella, the nervous Emmie - and their hard-working teacher, Mrs Sonatine, as they get ready. They all want to do their best. Josh cannot wait: he loves to perform and always dances well when an audience is watching. Pia wants to be a snowflake, but will Bella be able to deal with her hair? Emmie worries that she might get stagefright, so she becomes Mrs Sonatine's assistant stage manager instead. During the dress rehearsals the scenery collapses, and Bella - who is dressed as a mouse - finds that someone is standing on her tail. Will everything be all right on the night? Young dancers everywhere will love this amusing and warm-hearted tale, and the pop-up 3-D illustrations will take them right into the heart of the show.

Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists. Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, La´szlo´ Moholy-Nagy, and Josef Albers. Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus’ influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.

Traces the development of dance's basic components, choreography, gesture, music, costume, and scenery, and discusses the backgrounds of the most important ballets

Focusing on the work of painter, choreographer and scenic designer Oskar Schlemmer, the "Master Magician" and leader of the Theatre Workshop, this book explains this "theatre of high modernism" and its historical role in design and performance studies; further, it connects the Bauhaus exploration of space with contemporary stages and contemporary ethics, aesthetics and society. The idea of "theatre of space" is used to highlight twentieth-century practitioners who privilege the visual, aural, and plastic qualities of the stage above character, narrative and, themes (for example Schlemmer himself, Robert Wilson, Tadeusz Kantor, Robert Lepage). This impressive volume will be of use to students and academics involved in the areas of twentieth-century performance, the history of performance art, the history of avant-garde theatre, modern German theatre, and Weimar-era performance.

The Bauhaus in Dessau, Germany is known worldwide as an avant-garde Workshop school for architecture, art and design. Less well known is the fact that the school also had a tradition of dance, where a focus was placed on the question of form and space. Characterized with names like Form Dance, Glass Dance, Metall Dance, Stick Dance and Space Dance, the experimental dances were especially performed during Bauhaus festivals, while the Bauhaus band played a mix of Jazz and traditional German folk music.