How new is atheism? Although adherents and opponents alike today present it as an invention of the European Enlightenment, when the forces of science and secularism broadly challenged those of faith, disbelief in the gods, in fact, originated in a far more remote past. In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities. Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata. Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries. As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes.

The first in a gripping new historical fantasy series that intertwines Irish mythology with real-life history, The Children of Gods and Fighting Men is the thrilling debut novel in the Gael Song series by Shauna Lawless. They think they've killed the last of us... 981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son – and herself – but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world – like the Tuatha Dé Danann, a race of warriors who are sworn to kill Fomorians. Fódla is one of the Tuatha Dé Danann with the gift of healing. Her kind dwell hidden in a fortress, forbidden to live amongst the mortals. Fódla agrees to help her kin by going to spy on Brian Boru, a powerful man who aims to be High King of Ireland. She finds a land on the brink of war – a war she is desperate to stop. However, preventing the loss of mortal lives is not easy with Ireland in turmoil and the Fomorians now on the rise... Reviewers on The Children of Gods and Fighting Men 'Lawless blends fantasy with historical fiction to great effect.' SFX 'A novel that celebrates the extraordinary history and cultural traditions of Ireland while giving voice to the women who helped shape it. Highly recommended.' Lucy Holland 'An excellent read.' Mark Lawrence 'Highlander meets The Last Kingdom... I was hooked from page one.' Anthony Ryan 'Gripping and beautiful. A Celtic Last Kingdom with wild magic and fierce heroines.' Anna Smith Spark 'A beguiling blend of fantasy, history, and politics.' D.K. Fields 'A vividly written story that makes the ancient past feel contemporary.' Joseph O'Connor 'Rife with atmosphere and armies, magic and compelling characters, it swept me along and refused to be put down.' H.M. Long 'An epic historical fantasy that weaves myth and history into a sprawling tale of magic, intrigue, and war. Absorbing and richly detailed.' Ian Green 'With all the complex political machinations of A Song of Ice and Fire and the bloody battles of The Warlord Chronicles, it's ideal for fans of both.' Stephen Aryan 'An atmospheric journey into a thrilling historical fantasy world.' R.J. Barker

One of the most potent forces bedevilling the modern world is religious fundamentalism. Armstrong explains how and why fundamentalists' understanding of religion and society differs so starkly from that of their contemporaries.

The Pulitzer Prize-winning history of the Scopes Trial and the battle over evolution and creation in America's schools In the summer of 1925, the sleepy hamlet of Dayton, Tennessee, became the setting for one of the twentieth century's most contentious courtroom dramas, pitting William Jennings Bryan and the anti-Darwinists against a teacher named John Scopes, represented by Clarence Darrow and the ACLU, in a famous debate over science, religion, and their place in public education. That trial marked the start of a battle that continues to this day-in cities and states throughout the country. Edward Larson's classic Summer for the Gods -- winner of the Pulitzer Prize in History -- is the single most authoritative account of this pivotal event. An afterword assesses the state of the battle between creationism and evolution, and points the way to how it might potentially be resolved.

Fighting God is a firebrand manifesto from one of the most recognizable faces of atheism. In his book, Silverman-a walking, talking atheist billboard known for his appearances on Fox News-discusses the effectiveness, ethics and impact of the in-your-face-atheist who refuses to be silent. Silverman argues that religion is more than just wrong: it is malevolent and does not deserve our respect. It is our duty to be outspoken and do what we can to bring religion down. Examining the mentality, methods and issues facing the firebrand atheist, Silverman presents an overwhelming argument for firebrand atheism and reveals: - All religion is cafeteria religion and almost all agnostics are atheists. - American society grants religion a privileged status, despite the intentions of the Founding Fathers. - Christian politicians have adversely (and un-Constitutionally) affected our society with regard to science, health, women's rights, and gay rights. - The notion of "atheist Jews" is a lie forced on us by religion. - It is not "Islamophobia" to observe dangerous teachings and disproportionate violence in Islam. - Atheists are slowly but surely winning the battle. Fighting God is a provocative, unapologetic book that takes religion to task and will give inspiration to non-believers and serve as the ultimate answer to apologists.

In the desert, you see, there is everything and nothing . . . It is God without men. —Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed—but not unchanged—the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shape-shifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe. This eBook edition includes a Reading Group Guide.

Reproduction of the original: Atheism in Pagan Antiquity by A.B Drachmann