David I was never expected to become king, but on succeeding to the Scottish throne in 1124 he quickly demonstrated that he had the skills, ruthlessness and ambition to become one of the kingdom's greatest rulers. Drawing on the experiences and connections of his youth spent at the court of his brother-in-law, Henry I of England, and moulded by the dominant personality and intense piety of his mother, St Margaret, he set out to transform his inheritance and create a powerful and dynamic kingship. After neutralising all challengers to his position and building a new powerbase that drew on support from both Scotland's native nobles and the English and French knights whom he settled in his realm, David emerged as a power-broker in mid twelfth-century Britain as England descended into civil war. He pursued his wife Matilda's lost inheritance in Northumbria, gaining control over much of northern England and giving him access to economic resources that allowed him to invest in patronage of the reformed monastic orders, and in the reconfiguration of the secular Church in Scotland. The peace and stability of his kingdom, coupled with the economic boom brought by burgeoning population during an era of benign climate conditions, secured him a reputation as a saintly visionary who achieved the cultural and political transformation of Scotland.

Deep in the woods of Maine, the Revolutionary War is still fresh in settlers' minds as a young man named Peter Loon sets off at his mother's urging to find a mysterious person. Peter, who has never been away from his home, quickly falls into a series of startling entanglements. He befriends a nomadic parson with a seafaring past and whose humble intelligence and steady head prove useful, especially when the two find themselves in the middle of a bitter land battle. Crisscrossing between the two sides, Peter and Parson Leach tread the razor-thin line between law and justice. With the inimitable storytelling, exquisitely etched characters, and gentle humor that make Reid such a master, Peter Loon is a breathtaking tale of high adventure and great humility.

In Plenty and in Time of Need uses music and performance as sites of analysis for the competing ideals and realities of Barbadian national culture. The book demonstrates complex relations between national, gendered, and sexual identities in Barbados, and how these identities are represented and interpreted on a global stage.

"Tracing all the pre-colonial representations of "Hottentots" and "Hottentotism" operative in early-modern England allows us to see the birth and the development of a prejudice that became central to the nation. In their constructions of "Hottentots" the English found a way to vent their own fear, anger, and conflict about themselves and their society, particularly as they were transforming and redefining their nation as imperial Great Britain. The very invention of the "Hottentots" shows that the English needed to envision a worst people in order to imagine themselves as the world's most advanced people."--BOOK JACKET.

Robin Barrow has been one of the leading philosophers of education for more than forty years. This book is a critical but appreciative examination of his work by some of the leading philosophers of education at work today, with responses from Professor Barrow. It will focus on his work on curriculum, the analytic tradition in philosophy, education and schooling, and his use of Greek philosophy to enrich current debates in the subject. This work will be of interest to all those who have been influenced by his contributions to educational and philosophical debate.

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.