A man waits to cross la línea, the U.S.-Mexico border, as a guard scrutinizes him from behind dark sunglasses. Two grown brothers living three thousand miles apart struggle to reconnect through the static of a bad phone connection. A young mother trying to adjust to small-town life in a new country tells her children about the border city where she grew up—the dances and parties and cruises along the boulevard. The stories in Santiago Vaquera-Vásquez’s intimate conversational narrative take readers around the world, from the orchards of California to the cornfields of Iowa, from the neighborhoods of Madrid and Mexico City to the Asian shore of Istanbul. As the characters navigate borders and border crossings—both physical and psychological—they attempt to make sense of their increasingly complex memories and relationships.

In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.

Called one of the best shows on TV by more than a dozen media publications, including Time and Entertainment Weekly, Friday Night Lights is not just one of the most critically acclaimed shows on air, it's also one of the most watchable. Despite its focus on high school football, its masterfully crafted characters and honestly portrayed relationships make its portrait of small town Texas life compelling and relatable in ways that have nothing to do with field goals or touchdowns. Love, Loss, and Dillon Football: A Friday Night Lights Companion explores the victories and pitfalls of Dillon, Texas – both the town itself and those who live and love there. Because Friday Night Lights is so much more than just a teenage football drama: it's about the struggle to not get trapped in the circumstances one is born into. It's about love, it's about loss, and, yes, it's even about football.

Raúl R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal. This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his spiritual, intellectual, and political metamorphosis. The book also offers an insider's view of the prison rebellion movement and its relation to the civil rights and anti-war movements of the 1960s and 1970s. The numerous letters between Salinas and his family, friends, and potential allies illustrate his burgeoning political awareness of the cause and conditions of his and his comrades' incarceration and their link to the larger political and historical web of social relations between dominant and subaltern groups. These collected pieces, as well as two interviews with Salinas—one conducted upon his release from prison in 1972, the second more than two decades later—reveal to readers the transformation of Salinas from a street hipster to a man seeking to be a part of something larger than himself. Louis Mendoza has painstakingly compiled a body of work that is autobiographical, politically insurgent, and representative.