En Barrio Hollywood, un tenso drama familiar, un joven boxeador México-americano sueña con pelear para encontrar una salida a la difícil situación económica de su familia en el barrio. Su hermana, una apasionada bailarina de ballet folklórico y dedicada artista cultural, sueña con ser dueña de su propio estudio de baile para pasar sus tradiciones mexicanas a las próximas generaciones. Su excéntrica madre sueña con tomar sus ganancias del póker y tomar unas largas vacaciones en las Islas Canarias. Los sueños familiares se detienen cuando el joven boxeador sufre una lesión brutal en la cabeza en el ring de boxeo. Mientras la condición de su hermano empeora y su amor por el doctor americano crece inesperadamente, la bailarina y su familia aprenden que tan lejos pueden ir en el nombre del amor. In Barrio Hollywood, a tense family drama, a young Mexican-American boxer dreams of fighting his way out of his family¿s economic plight in his barrio neighborhood. His sister, a passionate ballet folklórico dancer and dedicated cultural artist, dreams of owning her own dance studio to pass her Mexican traditions on to another generation. Their flamboyant mother dreams of taking her poker winnings and going on an extended vacation to the Canary Islands. The family¿s dreams are deferred when the young boxer sustains a brutal head injury in the boxing ring. As her brother¿s condition worsens, and as she falls unexpectedly in love with a white doctor from out-of-state, the dancer and her family learn how far they are willing to go in the name of love.

"A young Mexican-American boxer dreams of fighting his way out of his family's economic plight in his barrio neighborhood. His sister, a passionate ballet folklorico dancer and dedicated cultural artist, dreams of owning her own dance studio to pass her Mexican traditions on to another generation. Their flamboyant mother dreams of taking her poker winnings and going on an extended vacation to the Canary Islands. The family's dreams are deferred when the young boxer sustains a brutal head injury in the boxing ring. As her brother's condition worsens, and as she falls unexpectedly in love with a white doctor from out-of-state, the dancer and her family learn how far they are willing to go in the name of love."--Amazon.com.

On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project—Arizona’s first major urban renewal project—which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called “la calle.” Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center’s new buildings, city officials proceeded to displace la calle’s residents and to demolish their ethnically diverse neighborhoods, which, contends Lydia Otero, challenged the spatial and cultural assumptions of postwar modernity, suburbia, and urban planning. Otero examines conflicting claims to urban space, place, and history as advanced by two opposing historic preservationist groups: the La Placita Committee and the Tucson Heritage Foundation. She gives voice to those who lived in, experienced, or remembered this contested area, and analyzes the historical narratives promoted by Anglo American elites in the service of tourism and cultural dominance. La Calle explores the forces behind the mass displacement: an unrelenting desire for order, a local economy increasingly dependent on tourism, and the pivotal power of federal housing policies. To understand how urban renewal resulted in the spatial reconfiguration of downtown Tucson, Otero draws on scholarship from a wide range of disciplines: Chicana/o, ethnic, and cultural studies; urban history, sociology, and anthropology; city planning; and cultural and feminist geography.

"This book offers the reader the best example of how a great idea can, eventually, create a revolution and change a whole community. I met Frank Cruz years ago on the streets of Los Angeles. He witnessed the Latino wave from its beginnings. Frank is a pioneer, a creator, and a fantastic journalist. I doubt he ever expected to be writing his own story. But, if you want to understand us, read this book." Jorge Ramos, Journalist and Author "Frank Cruz has cracked open that unmarked box tucked away in America's attic. So afraid to reveal its contents, we forget the jewels it hides. Through his story, Frank lets us peek into our history. A diverse, complicated people with a textured history. Grit, faith and ingenuity -- we shouldn't hide that. Bravo, Frank. " Xavier Becerra, Attorney General of California Latino Public Broadcasting is dear to my heart and its legitimization of our stories exists because of the guidance and expertise of my compadre Frank Cruz. His wisdom and leadership developed as he broke through barriers in multiple industries and ultimately rose to the top in each of his careers, as he has recounted in this memoir. Through his own story, Frank continues to teach, inspire, and give voice to the Latino experience. Edward James Olmos, Actor, Director, Producer, and Activist "Frank Cruz has lived a life of accomplishment and contributions. He paved an untrodden path of Latino journalistic professionalism and was courageously and determinedly true to his vision. In so doing, he touched many lives and set a stellar example." Henry Cisneros, former HUD Secretary and San Antonio Mayor "This important story is very well told and full of good anecdotes, reflections and advice. Frank Cruz's graduate work in history, experience in journalism, and ability to make a point by telling a compelling story, are all put to good use in telling his own unique story which will inform and inspire." Felix Gutierrez, Journalism Professor Emeritus, USC

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

Gangs continue to commit criminal activity, recruit new members in urban, suburban, and rural regions across the United States, and develop criminal associations that expand their influence over criminal enterprises, particularly street-level drug sales. The most notable trends for 2011 have been the overall increase in gang membership, and the expansion of criminal street gangs' control of street-level drug sales and collaboration with rival gangs and other criminal organizations.