As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. His paintings are rigorously abstract, and his writings full of references to arcane metaphysical concepts. Frustrated over their inability to reconcile the works with what the artist said about them, some critics have dismissed the paintings as impenetrable. The art historian Yve-Alain Bois called Newman “the most difficult artist” he could name, and the philosopher Jean-François Lyotard declared that “there is almost nothing to ‘consume’ [in his work], or if there is, I do not know what it is.” In order to advance interpretation, this book investigates both Newman’s writings and paintings in light of ideas articulated by one of Germany’s most important and influential philosophers: Martin Heidegger. Many of the themes explored in Newman’s statements, and echoed in the titles of his paintings, betray numerous points of intersection with Heidegger’s philosophy: the question of origins, the distinctiveness of human presence, a person’s sense of place, the sensation of terror, the definition of freedom, the importance of mood to existence, the particularities of art and language, the impact of technology on modern life, the meaning of time, and the human being’s relationship to others and to the divine. When examined in the context of Heideggerian thought, these issues acquire greater concreteness, and, in turn, their relation to the artist’s paintings becomes clearer. It is the contention of this book that, at the intersection of art history and philosophy, an interdisciplinary framework emerges wherein the artist’s broader motivations and the specific meanings of his paintings prove more amenable to elucidation.

The atmosphere of silence all around provided a faithful setting for Heidegger’s philosophy. I could not help comparing it with the atmosphere I had encountered in the house of Professor Berdyaev near Paris and that of Professor Jaspers in Heidelberg. In every case, the external world faithfully reflected the world of the mind. In Berdyaev’s case it was the spirit of communion; in Jaspers’s that of spiritual engagement. But in Heidegger’s case it was the spirit of overwhelming solitude. With the four essays in this book, which Professor Heidegger gave me, this much-discussed philosopher now appears for the first time before the English-speaking world. As Professor Heidegger pointed out to me, the four essays are complementary and have an organic unity. Two deal with the essence of metaphysics, the other two with the essence of poetry. The two Hölderlin studies, in Heidegger’s words, were “born out of a necessity of thought” conditioned by the questions raised in the metaphysical papers. STEFAN SCHIMANSKI

Earth and Gods is an attempt to introduce the reader to Heidegger's fully developed philosophy. The title Earth and Gods gives an im pression of not being a general study of Heidegger's philosophy. However, this is not true - the earth and the gods are fundamental ontological symbols of his fully developed philosophy, namely, his third and final phase of thought. This phase repeats the problems of both preceding phases in a fuller and more developed manner; hence, it implies them. The two preceding phases are the phase of Dasein and the phase of Being. These two phases are a natural flow of fundamental problems which reach their final formation and development in the phase of earth and gods. Dasein (the first phase) leads to Being, and Being (the second phase) bursts into fundamental ontological powers of Being (Seinsmiichte) which are earth and sky, gods and mortals (the third phase). Since earth is unthinkable without sky and since gods are gods in the world of mortals - of men, the title Earth and Gods is an abbreviation of these four fundamental powers of Being. Hence, an investigation of earth and gods is an attempt to present Heidegger's philosophy as a whole. Such a presentation provides the reader with the background necessary for a more adequate and efficient understanding of the writings of Heidegger himself. Thus, Earth and Gods may rightly be considered an introduction to Hei degger's philosophy.

"Graeme Nicholson addresses the fundamental topic of ontology, perhaps the fundamental topic posed to philosophy and the human mind: what is being?, i.e., what is it to exist or to be? He initially shows that we humans must be understood to be "existers" and "disclosers"--terms that render Heidegger's concept Dasein. Heidegger's philosophy provides the basic viewpoint, but Professor Nicholson offers an interpretation of Heidegger that seeks to set deconstructionist and pragmatist readings to one side. Since, according to Heidegger, being is fundamentally a union of presence and absence, this study shows that metaphysical theories have always offered positive illustrations or interpretations of being." "Illustrations of Being then goes on to scrutinize the four most fundamental determinations of being that Western thought has adumbrated: being as substance, especially in Greek ontology; being as reality, especially in the period from Descartes to Kant, and therefore in nineteenth- and twentieth-century science; the logic of being, in which Nicholson undertakes an ontological critique of mathematical logic; and being as the transformation of form--the key idea that runs from Christian patristics, through Hegel and Marx, to modern dialectics." "Graeme Nicholson's new study is marked by its receptiveness to metaphysics in the traditional sense, and contains a critique of the deconstructionist effort to pass beyond metaphysics. It will be of interest to professional philosophers and to theologians, as well as to graduate students and to members of the general public interested in philosophical arguments about the nature of being."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Publisher description

A comprehensive anthology of Heidegger's early essays.

A new 2024 translation of Martin Heidegger's major work "Being and Time" (Sein und Zeit), originally published in 1927 in multiple publications. This edition contains a new afterword by the Translator, a timeline of Heidegger's life and works, a philosophic index of core Heideggerian concepts and a guide for terminology across 19th and 20th century Existentialists. This translation is designed for readability and accessibility to Heidegger's enigmatic and dense philosophy. Complex and specific philosophic terms are translated as literally as possible and academic footnotes have been removed to ensure easy reading. Being and Time presents a complex philosophical discourse on the nature of being (Sein) and time (Zeit), focusing in particular on the temporal-existentialist concept of Dasein, a term that combines the German words for "to be" (sein) and "there" (da). This classic philosophic work examines the traditional metaphysical understanding of being, arguing that this understanding, typically based on the idea of a constant presence, fails to account for the temporal and existential dimensions of being. Heidegger proposes that an understanding of being requires an analysis of Dasein, which is characterized not only by its existence, but also by its being in the world and its temporal existence. The concept of Dasein is central to the his argument, emphasizing that Dasein is always already situated in a world, and its understanding of being is shaped by its temporal existence. This perspective challenges traditional metaphysical notions of being as static and unchanging, proposing instead that being is fundamentally temporal and connected to human existence and understanding. As the title suggests, Heidegger sees the question of Being as indistinguishable from Time, arguing that Newtonian conceptions of time as a series of now-points are inadequate for understanding the being of Dasein. His Ontochronology argues that the existential and ontological analysis of Dasein reveals a more fundamental concept of time, one that is integral to the structure of Being itself. The text further elaborates on the idea of "thrownness" and several other existentialist themes. Thrownness is one of the three conditions that signifies Dasein's immersion in the world, where it finds itself already entangled in a web of relations and meanings. This "thrownness", combined with Dasein's inherent being-toward-death, underscores the existential condition of human beings, framing their existence as a continual engagement with their own finitude and the possibilities of their being. Heidegger posits that understanding the nature of being requires a fundamental rethinking of both being and time, dogmatically stating that the true nature of being can only be grasped through an understanding of the temporality that characterizes the existence of being.