Challenging in its perspective and controversial in its conclusions, Bardia is a riveting account of the first large-scale battle planned and fought by an Australian formation in World War II. --Book Jacket.

On the morning of 3 January 1941, Australians of the 6th Division led an assault against the Italian colonial fortress village of Bardia in Libya, not far from the Egyptian-Libyan frontier. The ensuing battle was the second of the First Libyan Campaign, but the first battle of the Second World War planned and fought predominantly by Australians. The fortress fell to the attackers a little over two days after the attack began, in what could only be described as a remarkable victory. At a cost of 130 killed and 326 wounded, the 6th Division captured around 40,000 Italian prisoners and very large quantities of military stores and equipment. The victory was heralded at the time in Australia as one of the greatest military achievements of that nation's military history. Quite soon afterwards, however, overshadowed perhaps by Rommel's subsequent desert advances, the tragedy in Greece, and the war in the Pacific, Bardia slipped from the public mind. Very few Australians today have heard of the battle. This book attempts to bring Bardia back into the light.

The Tragedy Of Death Of Bardia, is a deadly and romantic story by Reza Taheri Bashar that tells the story of greed and love and Jealousy and grudge and revenge. that tells the story of usury and Betrayal and cowardice in the noble family. that In the course of the story, are killed most of noble family members little by little. This book is a rare different story.

With reference to Nepal.

Winner of the Trillium Book Award for Poetry In Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life. Bemused and droll, paranoid and demagogic, Sinaee’s much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems’ imagery — Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem “Twelve Storeys” — making Intruder a book that seems especially timely, notably in the dreamlike, minimalist sequence “Half-Life,” written during the lockdown in Toronto in spring 2020. Progressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in Intruder ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we’re living through.