The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Introduction. "Bravo Figaro, Bravo Bravissimo!" -- A Whirlwind of Change -- Early Revivals : Almaviva, Bartolo, and Their Many Ways -- The World of Rosina and the Prima Donna's Playground -- A Return to Rossini -- The Untethered Splendor of Il barbiere di Siviglia.

Despite the differences of their subject matter, science and theology have a cousinly relationship, John Polkinghorne contends in his latest thought-provoking book. From his unique perspective as both theoretical physicist and Anglican priest, Polkinghorne considers aspects of quantum physics and theology and demonstrates that the two truth-seeking enterprises are engaged in analogous rational techniques of inquiry. His exploration of the deep connections between science and theology shows with new clarity a common kinship in the search for truth. The author identifies and explores key similarities in quantum physics and Christology. Among the many parallels he identifies are patterns of historical development in quantum physics and in Christology; wrestling with perplexities such as quantum interpretation and the problem of evil; and the drive for an overarching view in the Grand Unified Theories of physics and in Trinitarian theology. Both theology and science are propelled by a desire to understand the world through experienced reality, and Polkinghorne explains that their viewpoints are by no means mutually exclusive.

Avraham Bahar leaves debt-ridden and depressed Albania to seek a better life in, ironically, Stalinist Russia. A professional barber, he curries favor with the Communist regime, ultimately being invited to become Stalin’s personal barber at the Kremlin, where he is entitled to live in a government house with other Soviet dignitaries. In the intrigue that follows, Avraham, now known as Razan, is not only barber to Stalin but also to the many Stalin look-alikes that the paranoid dictator circulates to thwart possible assassination attempts—including one from Razan himself.

A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.