A determined and intelligent woman, Madeleine was not about to let a notorious rake such as Lucien Harrow distract her from saving her ancestral home. But the sinfully appealing Lucien hid a deeper longing, and sought Madeleine's loving aid in helping him uncover a secret that threatened to destroy him from within. From the author of A Winter Ballad.

Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today

The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result.

Addie Winter is single-just one more reason for disappointment in her permanently disapproving mother's eyes. There's nothing she wants more than to be loved but when her own mother can't bring herself to love her, she wonders if anyone can. What she needs is a man-real would be ideal, but she'll settle for pretend. Anything to shut her mother up. Will Mansell chokes on his drink when Addie offers to pay him to spend the night in her room. Tall, dark-haired and the epitome of Addie's "hero," he can't believe his luck because women usually go for his blond-haired brother. Ed Mansell is a serial playboy with an electric smile who waltzes through life and through women. Lucky for Will and Ed, they don't have the same taste in women. But that was before they met Addie. Far from pretending, Will and Ed set out to prove Addie is worthy of love-but Addie finds too much love can be just as painful as none at all.

At seventeen, Adam has suspected for a while that he might be gay. His sketchbook has become full of images of good-looking men, and he isn't attracted to any of the girls he knows. When he reveals his feelings to his devout parents, they send him to a Christian camp, warning him that there will be no room in their lives for a gay son. The last thing Adam expects is to meet someone he is deeply attracted to; unfortunately, Paul is more committed to his Christian faith than Adam is. Adam tries to bury his attraction to Paul by concentrating on his art and his new friends Rhonda and Martin. When it becomes clear how unhappy Rhonda and Martin are at Camp Revelation, Adam and Paul are both forced to question what the church tells them about love. But with a whole camp full of people trying to get Adam to change who he is, what kind of chance do Adam and Paul have to find love and a life with each other?

In 1959 Cuba, Natalia San Martín was nothing short of a princess: sheltered, pampered, and courted by her very own prince, a childhood friend turned lifelong love. All that changed on the fateful New Year's Eve when Fidel Castro and his followers seized control of the country, with tragic consequences for not only the island, but Natalia herself. Five years later, in 1960s New York, she’s known as Natalie Martin—living a life that’s bleak, but thankfully anonymous. However, when the enigmatic Jack Roemer offers her a job writing the memoir of a starlet on the brink of self-destruction, she sees not only opportunity, but unexpected echoes of a fairytale long forgotten. As she knows all too well, however, the prettiest façade can hide the ugliest of truths—and peeling back the layers of someone else’s past forces Natalie to confront her own. "Beautiful, precise language is plentiful throughout Ferrer's latest. Her brilliant storytelling, with its vibrant description and dialogue, will touch the hearts of readers." —RT Book Reviews, 4 Stars "Ferrer has created a story that’s breathtaking in its scope, and a heroine whose strength will leave readers in awe." —Publishers Weekly Starred Review

*Includes the story “Cat Person”—now a major film* A compulsively readable collection of short stories that explore the complex—and often darkly funny—connections between gender, sex, and power across genres. “These stories are sharp and perverse, dark and bizarre, unrelenting and utterly bananas. I love them so, so much.” —Carmen Maria Machado, National Book Award Finalist and author of Her Body and Other Parties “Kristen Roupenian isn’t just an uncannily great writer, she also knows things about the human psyche…The world has made a lot more sense since reading this book.” —Miranda July, New York Times bestselling author Previously published as You Know You Want This, “Cat Person” and Other Stories brilliantly explores the ways in which women are horrifying as much as it captures the horrors that are done to them. Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker. Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”