Tells the story of the growing Chinese Navy - The People's Liberation Army Navy (PLAN) - and its expanding capabilities, evolving roles and military implications for the USA. Divided into four thematic sections, this special collection of essays surveys and analyzes the most important aspects of China's navel modernization.

This book explores the social history of southern Chinese martial arts and their contemporary importance to local identity and narratives of resistance. Hong Kong's Bruce Lee ushered the Chinese martial arts onto an international stage in the 1970s. Lee's teacher, Ip Man, master of Wing Chun Kung Fu, has recently emerged as a highly visible symbol of southern Chinese identity and pride. Benjamin N. Judkins and Jon Nielson examine the emergence of Wing Chun to reveal how this body of social practices developed and why individuals continue to turn to the martial arts as they navigate the challenges of a rapidly evolving environment. After surveying the development of hand combat traditions in Guangdong Province from roughly the start of the nineteenth century until 1949, the authors turn to Wing Chun, noting its development, the changing social attitudes towards this practice over time, and its ultimate emergence as a global art form.

"This is the first introduction to the economic history of the Tangut Empire (1038-1227). Built on a wealth of economic data and evidence, it studies the economic lives and activities, laws and institutions, trade and transactions in the "Great State White and High". It interprets primary sources written in the mysterious Tangut cursive script: taxes, registers, and contracts, alongside archives, chronicles, and law codes. By weaving Song, Liao, and Jin materials with Khara-Khoto, Wuwei, and Dunhuang manuscripts into a historical narrative, the book offers a gateway to the outer shape and inner life of the Western Xia (Xixia) economy and society, and rethinks the Tanguts' influence on the Hexi Corridor and the Silk Road"--

The Culture of Love in China and Europe offers a cautiously comparative survey of the cults of love developed in the history of ideas and literary production in China and Europe between the 12th and early 19th century.