A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest.In lyrical, impassioned prose, Eliane Brum recounts her move from S&ã o Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to &‘ reforest' herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro &Ò k&Ò t&ó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them.The title Banzeiro &Ò k&Ò t&ó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and &Ò k&Ò t&ó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

Longlisted for the National Book Award for Translated Literature Urgent investigative essays covering a wide range of humanity in Brazil, from the Amazon to the favelas Eliane Brum is a star journalist in Brazil, known for her polyphonic writing that gives voice to people often underrepresented in popular literature. Brum’s reporting takes her into Brazil’s most marginalized communities: she visits the Amazon to understand the practice of indigenous midwives, stays in São Paulo’s favelas to witness the joy of a marriage and the tragedy of young men dying due to drugs and guns, and wades through the mud to capture the boom and bust of modern-day gold rushes. Brum is an enormously sensitive and perceptive interlocutor, and as she visits these places she provides intimate glimpses into both everyday and extraordinary lives: a poor father on the way to bury his son, a street performer who eats glass, a woman living out her final 115 days, and a hoarder rescuing the “leftover souls” of the city. The Collector of Leftover Souls showcases the best of Brum’s work from two books, combining short profiles with longer reported pieces. These vibrant missives range across current issues such as the human cost of exploiting natural resources, the Belo Monté Dam’s eradication of a way of life for those on the banks of the Xingu River, and the contrast between urban centers and remote villages. Told in the vibrant and idiomatic language of the people Brum writes about, The Collector of Leftover Souls is a vital work of investigative journalism from an internationally acclaimed author.

The 10th anniversary edition A Guardian Best Book about Deforestation A New Scientist Best Book of the Year A Taipei Times Best Book of the Year “A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.” —Louise Erdrich, New York Times Book Review “The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.” —Amitav Ghosh, The Guardian “A literary treasure...a must for anyone who wants to understand more of the diverse beauty and wonder of existence.” —New Scientist A now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon. A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.

Like so many mothers and daughters, Maria Lúcia and Laura have a complex relationship, one steeped in abandonment and trauma. Laura tries to tear herself away from her mother's body through language, because every daughter requires more than one birth. The clash between these two women is tied to words; the pages are their particular battlefield. As they each set out to write their versions of the story, the reader discovers that there are few divisions between their narratives, no distinctions between hate and affection. Subtle differences that distinguish the mother from the daughter can be found in the writing, but they are barely noticeable. Their acts of violence and raw emotional outbursts are mirrored; their truth is irreversibly shared. As mother and daughter, they are given life by virtue of death. By shattering the profound silence of their shared distress, they discover the ties that irrevocably bind them. One Two is a dramatic and gut-wrenching blurring of reality and fiction. Critically acclaimed upon its release in Brazil, the novel was shortlisted for the Portugal Telecom Prize for Literature and the São Paulo Prize for Literature.

A magical retelling of the myth of Eldorado, by Brazil's greatest writer. The Enchanted City has inhabited the fevered dreams of many European navigators and consquisitadores, but all have been unable to find it on the map.