In January 2017, President Trump signed an executive order banning people from seven Muslim-majority countries – Iran, Iraq, Libya, Syria, Somalia, Sudan and Yemen – from entering the United States, effectively slamming the door on refugees seeking safety and tearing families apart. Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent. Part of our 'Banned Nations Showcase'.

In January 2017, President Trump signed an executive order banning people from seven Muslim-majority countries – Iran, Iraq, Libya, Syria, Somalia, Sudan and Yemen – from entering the United States, effectively slamming the door on refugees seeking safety and tearing families apart. Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent.

This edited collection offers an exploration of American literature in the age of Trumpism—understood as an ongoing sociopolitical and affective reality—by bringing together analyses of some of the ways in which American writers have responded to the derealization of political culture in the United States and the experience of a ‘new’ American reality after 2016. The volume’s premise is that the disruptions and dislocations that were so exacerbated by the political ascendancy of Trump and his spectacle-laden presidency have unsettled core assumptions about American reality and the possibilities of representation. The blurring of the relationship between fact and fiction, bolstered by the discourses of ‘fake news’ and ‘alternative facts,’ has not only drawn attention to the shattering of any notion of ‘shared’ reality, but has also forced a reexamination of the purpose and value of literature, especially when considering its troubled relation to the representation of ‘America.’ The authors in this collection respond to the invitation to reassess the workings of fiction and critique in an age of Trumpism by considering some of the most recent literary responses to the (new) American realit(ies)—including works by Colson Whitehead, Ben Winters, Claudia Rankine, Gary Shteyngart, Jennifer Egan, and Steve Erickson, to name but a few—, some of which were composed in the run-up to the 2016 election but were able to accurately and incisively imagine the world to come.

Reluctant to observe a new family tradition, a boy finds himself stranded outside a graveyard on the night before Christmas... Three farming brothers, forced to relocate to the city by poor harvests, discover an unexpected demand for their green-fingered talents... Residents of a new apartment block are woken in the early hours by the eerie sound of a table saw that once operated on the building’s grounds... Iceland is a land of stories; from the epic sagas of its mythic past, to its claim today of being home to more writers, more published books and more avid readers, per head, than anywhere in the world. As its capital (and indeed only city), Reykjavik has long been an inspiration for these stories. But, as this collection demonstrates, this fishing-village-turned-metropolis at the farthest fringe of Europe has been both revered and reviled by Icelanders over the years. The tension between the city and the surrounding countryside, its rural past and urban present, weaves its way through The Book of Reykjavik, forming an outline of a fragmented city marked by both contradiction and creativity. Includes a foreword written by award-winning Icelandic author Sjón. Translated from the Icelandic by Victoria Cribb, Philip Roughton, Lytton Smith, Meg Matich and Larissa Kyzer. Published with the support of the Icelandic Literature Center.

After four years of Trump, America seems set to return to political normality. But for much of the rest of the world, that normality is a horror story: 75 years of US-led invasions, CIA-sponsored coups, election interference, stay-behind networks, rendition, and weapons testing... all in the name of Pax America, the world’s police. If you are not an ally of the US, in this ‘normality’, your country can find its democratic processes undermined and its economic wellbeing conditioned upon returning to the fold. If you’re not strategically important to the US, you can find yourself its dumping ground. This new anthology re-examines this history with stories that explore the human cost of these interventions on foreign soil, by writers from that soil. From nuclear testing in the Pacific, to human testing of CIA torture tactics, from coups in Latin America, to all-out invasions in the Middle and Far East; the atrocities that follow are often dismissed in history books as inevitable in the ‘fog of war’. By presenting them from indigenous, grassroots perspectives, accompanied by afterwords by the historians that consulted on them, this book attempts to bring some clarity back to that history. Stories are accompanied by afterwords written by historians, providing historical context. Afterwords by: Olmo Golz, Emmanuel Gerard, Felix Julio Alfonso Lopez, David Harper, Ertugrul Kurkcu, Francisco Dominguez, Maurizio Dianese, Julio Barrios Zardetto, Brian Meeks, Victor Figueroa Clark, Raymond Bonner, Daniel Kovalik, Meral Cicek, Ian Shaw, Matteo Capasso, Neil Faulkner, Xuan Phuong, Iyad S. S. Abujaber & Chris Hedges. Translated by: Orsola Casagrande, Mustafa Gundogdu, Sawad Hussain, Jonathan Wright, Basma Ghalayini, Nicholas Glastonbury, Sara Khalili, J. Bret Maney, Adam Feinstein, and Megan McDowell. Part of our History-into-Fiction series.

Since long before the age of celebrity activism, literary authors have used their public profiles and cultural capital to draw attention to a wide range of socio-political concerns. This book is the first to explore – through history, criticism and creative interventions – the relationship between authorship, political activism and celebrity culture across historical periods, cultures, literatures and media. It brings together scholars, industry stakeholders and prominent writer-activists to engage in a conversation on literary fame and public authority. These scholarly essays, interviews, conversations and opinion pieces interrogate the topos of the artist as prophet and acute critic of the zeitgeist; analyse the ideological dimension of literary celebrity; and highlight the fault lines between public and private authorial selves, 'pure' art, political commitment and marketplace imperatives. In case studies ranging from the 18th century to present-day controversies, authors illuminate the complex relationship between literature, politics, celebrity culture and market activism, bringing together vivid current debates on the function and responsibility of literature in increasingly fractured societies.