Java’s pilgrimage culture is a dense, batik-like pattern of contradictions: seriousness collides with laughter; curiosity with bewilderment; piety with scepticism; intense spirituality with, in some places, the joy of shopping. The pilgrimage culture on the island of Java in Indonesia – the world’s largest Muslim country – is a rebuke to the conservative orthodoxy that has been gaining ground in Indonesia’s religious landscape since the 1980s. In the rhetoric of this orthodoxy the “real” Islam is pure and exclusive. Piety comes from obedience to religious authority and its rules. Local pilgrimage is anything but pure and exclusive or rigidly authoritarian. It is powerfully Islamic but it fuses Islam with local history, the ancient power of place and a pastiche of devotional practices with roots deep in the pre-Islamic past. Quietly but tenaciously – just outside the great echo chamber of public space – it is growing as fast as the higher profile neo-orthodoxy. Bandit Saints of Java delves deep under the surface of modern Indonesia, exploring personalities and stories in the weird world of local pilgrimage, where Middle Eastern Islam wrestles with the ancient power of Javanese civilisation. It paints an astonishing portrait of Islam as it is practised today – largely invisible to journalists, scholars and tourists – by many of Java’s 130 million people.

"On 17 April 2020, eleven soldiers of the Armed Forces of the Philippines (AFP) were killed during a battle with 40 fighters of the Abu Sayyaf Group (ASG) in Patikul town, in the Sulu region of Mindanao, southern Philippines. The ASG had apparently ambushed the troops during the latter's operations aimed at tracking down two senior ASG figures, Radullan Sahiron and Hatib Sawadjaan-the leader of the Philippine branch of the Islamic State of Iraq and Syria (ISIS) global terror network. The firefight between the pro-ISIS ASG and the AFP forces was apparently the bloodiest in months. This encounter occurred in the midst of the worldwide novel coronavirus (COVID-19) pandemic outbreak that had not spared the southern Philippines as well. A government spokesperson acknowledged the strain on the armed forces, who were on "the forefront as the government's arm to prevent the spread of the dreaded disease on the one hand", while simultaneously engaged in "battling this terrorist Abu Sayyaf Group""--

How do we teach analysis in anthropology and other field-based sciences? How can we engage analytically and interrogatively with philosophical ideas and concepts in our fieldwork? And how can students learn to engage critical ideas from philosophy to better understand the worlds they study? Philosophy on Fieldwork provides "show-don’t-tell" answers to these questions. In twenty-six "master class" chapters, philosophy meets anthropological critique as leading anthropologists introduce the thinking of one foundational philosopher – from a variety of Western traditions and beyond – and apply this critically to an ethnographic case. Nils Bubandt, Thomas Schwarz Wentzer and the contributors to this volume reveal how the encounter between philosophy and fieldwork is fertile ground for analytical insight to emerge. Equally, the philosophical concepts employed are critically explored for their potential to be thought "otherwise" through their frictional encounter with the worlds in the field, allowing non-Western and non-elite life experience and ontologies to "speak back" to both anthropology and philosophy. This is a unique and concrete guidebook to social analysis. It answers the critical need for a "how-to" textbook in fieldwork-based analysis as each chapter demonstrates how the ideas of a specific philosopher can be interrogatively applied to a concrete analytical case study. The straightforward pedagogy of Philosophy on Fieldwork makes this an accessible volume and a must-read for both students and seasoned fieldworkers interested in exploring the contentious middle ground between philosophy and anthropology.

This book is the first comprehensive overview of Javanese performing arts from their origins to their dynamic present. Renowned scholar and musician Sumarsam draws from a lifetime of immersion in both wayang and gamelan to guide readers through the concept of the "in-between," revealing how the interplay of dualisms—myth and history, sacred and secular, personal and cultural—forms the bedrock of Javanese performance. Rigorously researched historical case studies reveal the intricate relationship between histories and mythologies in Java. Wayang, accompanied by gamelan, is a multimedia performance imbued with rich historical, aesthetic, religious, and emotional associations. Sumarsam delves into this intricate, profound, and ever-evolving art form, exploring its diverse manifestations and venues, from courtly village entertainment-cum-ritual to palace-based aesthetic expressions of cultural proficiency; from coastal mercantile entrepots to the verdant wet rice terraces of Java; from colonial plantation and textile factory cultures to communities centered around contemporary industrial estates and creative economy initiatives. An essential resource for scholars, musicians, and enthusiasts of wayang and gamelan, The In-Between in Javanese Performing Arts offers an unparalleled immersion into the heart of traditional Javanese performing arts, revealing their profound impact on Javanese culture, identity, and artistic expression.

An anthropologist's groundbreaking account of how Islamic religious authority is assembled through the unceasing labor of community building on the island of Java This compelling book draws on Ismail Fajrie Alatas's unique insights as an anthropologist to provide a new understanding of Islamic religious authority, showing how religious leaders unite diverse aspects of life and contest differing Muslim perspectives to create distinctly Muslim communities. Taking readers from the eighteenth century to today, Alatas traces the movements of Muslim saints and scholars from Yemen to Indonesia and looks at how they traversed complex cultural settings while opening new channels for the transmission of Islamic teachings. He describes the rise to prominence of Indonesia's leading Sufi master, Habib Luthfi, and his rivalries with competing religious leaders, revealing why some Muslim voices become authoritative while others don't. Alatas examines how Habib Luthfi has used the infrastructures of the Sufi order and the Indonesian state to build a durable religious community, while deploying genealogy and hagiography to present himself as a successor of the Prophet Muḥammad. Challenging prevailing conceptions of what it means to be Muslim, What Is Religious Authority? demonstrates how the concrete and sustained labors of translation, mobilization, collaboration, and competition are the very dynamics that give Islam its power and diversity.

Based on extensive original research, this book explores the history and current revival of Buddhism on the Indonesian island of Java. Beginning by tracing how Buddhism came to Java from India via southeast Asia, it considers how Buddhism has survived and adapted as Islam and Christianity became dominant. It goes on to report on detailed anthropological research both in a remote highland community, Temanggung, and in Java’s main cities including Jakarta, showing how youth activism and close community cohesion have brought about revival. It includes an examination of the production of Buddhist wayside shrines. Throughout it shows how Buddhism in Java has fused with local traditional practices, local circumstances and trans-national processes to form a unique Javanese Buddhism.