A poignant, magical and completely original novel that you can't fail to love, for fans of Joanne Harris.

When Indian Princess Alexandrina is left penniless by the sudden death of her father, the Maharaja of Brindor, Queen Victoria grants her a grace-and-favor home in Hampton Court Palace. Though it is rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer. Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But when General-Major Bagshot dies after eating said pie, and the Coroner finds traces of arsenic in his body, Pooki becomes the #1 suspect in a murder investigation. Princess Alexandrina isn't about to let her faithful servant hang. She begins an investigation of her own, and discovers that Hampton Court isn't such a safe place to live after all. With her trademark wit and charm, Julia Stuart introduces us to an outstanding cast of lovable oddballs from the palace Maze Keeper to the unconventional Lady Beatrice (who likes to dress up as a toucan--don't ask) as she guides us through the many delightful twists and turns in this fun and quirky murder mystery. Everyone is hiding a secret of the heart, and even Alexandrina may not realize when she's caught in a maze of love.

“A hilarious romp.” —Joanne Harris, author of Chocolat The charming tale of a small French town in which the local barber, whose business is failing as his clients grow older and lose their hair, decides to become the town matchmaker. Barber Guillaume Ladoucette has always enjoyed great success in his tiny village in southwestern France, catering to the tonsorial needs of Amour-sur-Belle's thirty-three inhabitants. But times have changed. His customers have grown older—and balder. Suddenly there is no longer a call for Guillaume's particular services, and he is forced to make a drastic career change. Since love and companionship are necessary commodities at any age, he becomes the town's official matchmaker and intends to unite hearts as ably as he once cut hair. But alas, Guillaume is not nearly as accomplished an agent of amour, as the disastrous results of his initial attempts amply prove, especially when it comes to arranging his own romantic future. For every reader who adored Chocolat, Julia Stuart's The Matchmaker of Périgord is a delectable, utterly enchanting, and sinfully satisfying delight.

From the bestselling author of Balthazar Jones and the Tower of London Zoo comes the story of one man's quest to find a pearl, save his marriage – and track down a missing rabbit named Frank 'The Last Pearl Fisher of Scotland is a gently comic, gently tragic novel, full of lyricism, humanity and the pearl that is love. Read it at once' A. L. Kennedy Brodie McBride is having a tough time. The last expert in the ancient art of pearl fishing, he’s on a quest to track down the pearl that will complete a necklace for his wife, Elspeth, convinced that the love token will save their marriage. But Scotland’s rivers are running out of mussels, Elspeth is running out of patience, and their daughter, Maggie, is running wild with her moustachioed pet rabbit. And when Maggie takes matters into her own hands, determined to keep the family together, the McBrides are soon at the centre of international commotion that will change everyone’s lives forever.

The remarkable true story of a family who move into a rundown zoo-already a BBC documentary miniseries and excerpted in The Guardian. In the market for a house and an adventure, Benjamin Mee moved his family to an unlikely new home: a dilapidated zoo in the English countryside. Mee had a dream to refurbish the zoo and run it as a family business. His friends and colleagues thought he was crazy. But in 2006, Mee and his wife with their two children, his brother, and his 76-year-old mother moved into the Dartmoor Wildlife Park. Their extended family now included: Solomon, an African lion and scourge of the local golf course; Zak, the rickety Alpha wolf, a broadly benevolent dictator clinging to power; Ronnie, a Brazilian tapir, easily capable of killing a man, but hopelessly soppy; and Sovereign, a jaguar and would-be ninja, who has devised a long term escape plan and implemented it. Nothing was easy, given the family's lack of experience as zookeepers, and what follows is a magical exploration of the mysteries of the animal kingdom, the power of family, and the triumph of hope over tragedy. We Bought a Zoo is a profoundly moving portrait of an unforgettable family living in the most extraordinary circumstances.

In a world reeling from a global pandemic, never has a treatise on veganism—from our foremost philosopher on animal rights—been more relevant or necessary. “Peter Singer may be the most controversial philosopher alive; he is certainly among the most influential.” —The New Yorker Even before the publication of his seminal Animal Liberation in 1975, Peter Singer, one of the greatest moral philosophers of our time, unflinchingly challenged the ethics of eating animals. Now, in Why Vegan?, Singer brings together the most consequential essays of his career to make this devastating case against our failure to confront what we are doing to animals, to public health, and to our planet. From his 1973 manifesto for Animal Liberation to his personal account of becoming a vegetarian in “The Oxford Vegetarians” and to investigating the impact of meat on global warming, Singer traces the historical arc of the animal rights, vegetarian, and vegan movements from their embryonic days to today, when climate change and global pandemics threaten the very existence of humans and animals alike. In his introduction and in “The Two Dark Sides of COVID-19,” cowritten with Paola Cavalieri, Singer excoriates the appalling health hazards of Chinese wet markets—where thousands of animals endure almost endless brutality and suffering—but also reminds westerners that they cannot blame China alone without also acknowledging the perils of our own factory farms, where unimaginably overcrowded sheds create the ideal environment for viruses to mutate and multiply. Spanning more than five decades of writing on the systemic mistreatment of animals, Why Vegan? features a topical new introduction, along with nine other essays, including: • “An Ethical Way of Treating Chickens?,” which opens our eyes to the lives of the birds who end up on so many plates—and to the lives of their parents; • “If Fish Could Scream,” an essay exposing the utter indifference of commercial fishing practices to the experiences of the sentient beings they scoop from the oceans in such unimaginably vast numbers; • “The Case for Going Vegan,” in which Singer assembles his most powerful case for boycotting the animal production industry; • And most recently, in the introduction to this book and in “The Two Dark Sides of COVID-19,” Singer points to a new reason for avoiding meat: the role eating animals has played, and will play, in pandemics past, present, and future. Written in Singer’s pellucid prose, Why Vegan? asserts that human tyranny over animals is a wrong comparable to racism and sexism. The book ultimately becomes an urgent call to reframe our lives in order to redeem ourselves and alter the calamitous trajectory of our imperiled planet.

This remains the Foundation Manual for information across the range of exotic pets, from small mammals, through birds, reptiles and amphibians, to invertebrates. Commoner pets, such as rabbits, rodents and budgies retain their place. However, the ever-increasing range of non-traditional pets encountered by the veterinary surgeon in practice is reflected in coverage of some new groups, such as marsupials, ratites and crocodilians.