This book explores the significance of flight to Romantic literature. Although the Romantic movement and the age of ballooning coincided, there has been a curious and long-time tendency to forget that flight was not impossible during this period. This study details the importance of this new technology to Romantic authors, primarily English Romantic poets. It combines accounts of the exploits and experiences of early balloonists with references to Romantic texts, using ballooning lore to illuminate a range of Romantic writings. The balloonists are seen as not just supplying these writers with a new code of metaphors, but as colleagues engaged in similarly imaginative enterprises. The book uncovers an ‘aerial imagination’ shared by a large number of writers in the Romantic period that has its origins in the balloon adventures of the 1780s and following two decades. It will appeal to scholars and students of Romantic cultural history, as well as those interested in Romantic poetry and the history of early aeronautics.

Award-winning journalist Sharon Wright presents a fascinating account of the fabulous eighteenth and nineteenth-century female pioneers of balloon flight. More than a century before the first airplane took flight, women were heading for the heavens in crazy, inspired contraptions that brought both danger and glory. Women were in the vanguard of the “Balloonomania” craze that took hold in the eighteenth and nineteenth centuries, sweeping across Europe and then the world. Their exploits were a vital element of our first voyages into the sky. In a time when women’s lives were often severely limited by law and convention, these intrepid pioneers took on an exhilarating quest for spectacle, adventure, and danger. From the perilous ascent in 1784 by feisty French teenager Elisabeth Thible, female aeronauts have never looked back . . . or down. But who were these brave women who fearlessly—and scandalously—took to the air? In Balloonomania Belles, journalist Sharon Wright reveals the hair-raising adventures of the first flying women in a book that celebrates the brightest stars of an extraordinary era in human achievement.

In this STEAM picture book, take to the skies with Mary Myers, aka “Carlotta,” an aeronaut and inventor whose careful scientific work improved hot air balloons and our understanding of flight, weather patterns, and the atmosphere. In the 1850s, proper young ladies were supposed to keep their feet on the ground (literally and metaphorically), but Mary dreamed of flying. Luckily, she married Carl Myers, a hot air balloon enthusiast whose dreams were just as lofty as hers. Together, they designed and constructed balloons of all shapes and sizes, a difficult and dangerous job that required knowledge of chemistry, engineering, and meteorology. But how could they know which balloon designs worked best? They needed someone adventurous who could do balloon tricks for crowds while recording flight data. Mary knew just the person . . . herself! She gave herself the stage name Carlotta and anxiously awaited her first flight. Would she make it into the air? Could she collect the data they needed? Mary battled thick clouds and bone-chilling cold, but she went higher and farther than she hoped, and returned ready for her next flight. One of the few women inventors of her time, Mary’s daring flights and careful scientific work improved hot air balloons and our understanding of flight, weather patterns, and the atmosphere.

“Romantik. Journal for the Study of Romanticisms” is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780–1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms – and not least the connections and disconnections between them – hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).

In Scientific Americans, Susan Branson explores the place of science and technology in American efforts to achieve cultural independence from Europe and America's nation building in the early republic and antebellum eras. This engaging tour of scientific education and practices among ordinary citizens charts the development of nationalism and national identity alongside roads, rails, and machines. Scientific Americans shows how informal scientific education provided by almanacs, public lectures, and demonstrations, along with the financial encouragement of early scientific societies, generated an enthusiasm for the application of science and technology to civic, commercial, and domestic improvements. Not only that: Americans were excited, awed, and intrigued with the practicality of inventions. Bringing together scientific research and popular wonder, Branson charts how everything from mechanical clocks to steam engines informed the creation and expansion of the American nation. From the Exhibition of the Industry of All Nations to the fate of the Amistad captives, Scientific Americans shows how the promotion and celebration of discoveries, inventions, and technologies articulated Americans' earliest ambitions, as well as prejudices, throughout the first American century.

From the Royal Society, a peerless collection of all-new science writing Bill Bryson, who explored all - or at least a great deal of - current scientific knowledge inA Short History of Nearly Everything, now turns his attention to the history of that knowledge. As editor ofSeeing Further, he has rounded up an extraordinary roster of scientists who write and writers who know science in order to celebrate 350 years of the Royal Society, Britain's scientific national academy. The result is an encyclopedic survey of the history, philosophy and current state of science, written in an accessible and inspiring style by some of today's most important writers. The contributors include Margaret Atwood, Steve Jones, Richard Dawkins, James Gleick, Richard Holmes, and Neal Stephenson, among many others, on subjects ranging from metaphysics to nuclear physics, from the threatened endtimes of flu and climate change to our evolving ideas about the nature of time itself, from the hidden mathematics that rule the universe to the cosmological principle that guidesStar Trek. The collection begins with a brilliant introduction from Bryson himself, who says: "It is impossible to list all the ways that the Royal Society has influenced the world, but you can get some idea by typing in 'Royal Society' as a word search in the electronic version of theDictionary of National Biography. That produces 218 pages of results — 4,355 entries, nearly as many as for the Church of England (at 4,500) and considerably more than for the House of Commons (3,124) or House of Lords (2,503)." As this book shows, the Royal Society not only produces the best scientists and science, it also produces and inspires the very best science writing.

"The Cavendishes flourished during the high tide of British aristocracy following the revolution of 1688-89, and the case can be made that this aristocracy knew its finest hour when Henry Cavendish gently laid his delicate weights in the pan of his incomparable precision balance. For this it took two generations and two kinds of invention, one in social forms and the other in scientific technique. This biography tells how it came to pass."--BOOK JACKET.