Illustration and comment on balance and unity in the natural and man-made wor and as qualities in the work of the artist, designer, architect, and craftsm

A holistic approach to acting. This book presents acting as a mind, body and spirit practice and actors as emotional athletes, spiritual stuntmen and stuntwomen exposed to a constant roller coaster of emotions. Going beyond where Michael Chekhov left off, it offers new acting techniques using discoveries from holistic and energy healing modalities. Answering an urgent -yet never addressed-need, this book offers invaluable tools to heal post-performance stress disorder and cutting edge information about recovering your Highest Creative Self, the essence of your character, and true emotional balance. Lisa Dalton, Co-founder, International Michael Chekhov Association, Award-Winning Actor/Producer/Director and Co-founder and Certifying Board, National Michael Chekhov Association wrote the Foreword. She says: "It is rare to find a subject that urgently needs to be discussed and about which too little is written. The need to train the entire being of the performing artist is just such a subject. Emmanuelle Chaulet's A Balancing Act is a godsend to performing artists of any sort. Knowing how to Energize allows us to endure and even thrive during the rise and fall, the constant state of transformation, the juggling of feelings, styles, jobs, and colleagues while maintaining an even keel." "Truly some of the freshest and most innovative 21st century contributions to the art of acting." says Mel Shrawder NYC AEA/SAG actor, Former Head of Performance, University of Miami, and faculty at the Michael Chekhov Acting Studio in NYC.

This is the first monograph on codebooks and linear codes from difference sets and almost difference sets. It aims at providing a survey of constructions of difference sets and almost difference sets as well as an in-depth treatment of codebooks and linear codes from difference sets and almost difference sets. To be self-contained, this monograph covers necessary mathematical foundations and the basics of coding theory. It also contains tables of best BCH codes and best cyclic codes over GF(2) and GF(3) up to length 125 and 79, respectively. This repository of tables can be used to benchmark newly constructed cyclic codes. This monograph is intended to be a reference for postgraduates and researchers who work on combinatorics, or coding theory, or digital communications.

Locally computable (NC0) functions are "simple" functions for which every bit of the output can be computed by reading a small number of bits of their input. The study of locally computable cryptography attempts to construct cryptographic functions that achieve this strong notion of simplicity and simultaneously provide a high level of security. Such constructions are highly parallelizable and they can be realized by Boolean circuits of constant depth. This book establishes, for the first time, the possibility of local implementations for many basic cryptographic primitives such as one-way functions, pseudorandom generators, encryption schemes and digital signatures. It also extends these results to other stronger notions of locality, and addresses a wide variety of fundamental questions about local cryptography. The author's related thesis was honorably mentioned (runner-up) for the ACM Dissertation Award in 2007, and this book includes some expanded sections and proofs, and notes on recent developments. The book assumes only a minimal background in computational complexity and cryptography and is therefore suitable for graduate students or researchers in related areas who are interested in parallel cryptography. It also introduces general techniques and tools which are likely to interest experts in the area.

This book presents the design, analysis and testing of fully balanced RIAA phono amps and measurement tools. The content of this book extends a standard reference about RIAA phono amps “the sound of silence” by Burkhard Vogel. Here, the gap is filled between a semi-balanced engine (RIAA Phono-Amp Engine I) and a fully balanced engine, the RIAA Phono-Amp Engine II. In this new book on hand, “fully balanced” means that each phono-amp stage ends up in a balanced - or in other words symmetrical - solution, differentially amplified. Un-balanced / single-ended solutions are not in the scope.