"Regarded by many as Euripides' masterpiece, Bakkhai examines both the horror and the beauty of the religious ecstasy that Dionysos brings to Thebes. His offer of closeness to nature and freedom from the constraints of civilization, especially for women, excites bitter resistance as well as fanatical acceptance." "Disguised as a young holy man and accompanied by his band of Asian worshipers, the god Dionysos arrives in Greece at Thebes, proclaims his godhood and his new religion, and drives the Theban women mad. When the Theban king, Pentheus, tries to imprison him, Dionysos afflicts Pentheus himself with madness and leads him, dressed as a bacchant, to the mountains, where his own mother, Agaue, and her companions tear him to pieces in an insane Bacchic frenzy."

Euripides Bakkhai presents the inner conflict between the untamed, irrational side of man represented by the god Dionysos and the rational side represented by the god Apollo. Meagher offers a rich and revealing introduction to ancient Greek tragedy -- a remarkably appropriate alternative to Sophocles' Oedipus the King.

Regarded by many as Euripides' masterpiece, Bakkhai is a powerful examination of religious ecstasy and the resistance to it. A call for moderation, it rejects the temptation of pure reason as well as pure sensuality, and is a staple of Greek tragedy, representing in structure and thematics anexemplary model of the classic tragic elements.Disguised as a young holy man, the god Bacchus arrives in Greece from Asia proclaiming his godhood and preaching his orgiastic religion. He expects to be embraced in Thebes, but the Theban king, Pentheus, forbids his people to worship him and tries to have him arrested. Enraged, Bacchus drivesPentheus mad and leads him to the mountains, where Pentheus' own mother, Agave, and the women of Thebes tear him to pieces in a Bacchic frenzy.Gibbons, a prize-winning poet, and Segal, a renowned classicist, offer a skilled new translation of this central text of Greek tragedy.

This cahier unites two texts by celebrated Canadian poet Anne Carson, encouraging readers to experience them alongside and illuminating each other. Variations on the Right to Remain Silent is an essay on the stakes involved when translation happens, ranging from Homer through Joan of Arc to Paul Celan; it includes the author s seven translations of a poetic fragment from the Greek poet Ibykos. By Chance the Cycladic People is a poem about Cycladic culture where the order of the lines has been determined by a random number generator. The cahier is illustrated by Lanfranco Quadrio."

Anne Carson’s new work that reconsiders the stories of two iconic women—Marilyn Monroe and Helen of Troy—from their point of view Winner of the Governor General Award in Poetry Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.

"The book should be of particular interest to those working in Greek tragedy and comedy and classical literary theory."--Jacket.

Collected here for the first time in the series are three major plays by Euripides: Bacchae, translated by Reginald Gibbons and Charles Segal, a powerful examination of the horror and beauty of Dionysiac ecstasy; Herakles, translated by Tom Sleigh and Christian Wolff, a violent dramatization of the madness and exile of one of the most celebrated mythical figures; and The Phoenician Women, translated by Peter Burian and Brian Swamm, a disturbing interpretation of the fate of the House of Laios following the tragic fall of Oedipus. These three tragedies were originally available as single volumes. This volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.