An important collection of essays which treats Bakhtin as a provocative theorist whose work must be tested, explored and compared with the work of others. Contributors assess Bakhtin's contribution to difficult issues of colonialism, feminism, reception theory and theories of the body, amongst others. New articles explore the origins, previously unacknowledged, of Bakhtin's theory of language and provide a vivid account of the dramatic scandal surrounding Bakhtin's thesis on Rabelais. Contains dramatic new material, drawn from post-perestroika sources, which demythologizes the image of this important writer. A new bibliographical essay and introduction bring the English-language reader up-to-date with the progress of Bakhtin studies in Russia.

This wide-ranging treatment of Bakhtin's cultural and literary theory tests, compares, and explores his work in relation to colonialism, feminism, reception theory, and theories of the body. Many of the essays in the first edition have become standard reference points in cultural debate. This revised second edition takes advantage of the wealth of new Bakhtin material which became available after perestroika. New articles make use of previously unacknowledged sources of Bakhtin's theory of dialogue; they also vividly recount the dramatic events surrounding his thesis on Rabelais, and interrogate his famous distinction between poetry and the novel.

This volume brings together nine essays by established and new scholars from Russia, Britain and North America to explore the historical contexts and current relevance of the work of the Bakhtin Circle for social theory, philosophy, history and linguistics.

The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.

Bakhtin and the Human Sciences demonstrates the abundance of ideas Bakhtin's thought offers to the human sciences, and reconsiders him as a social thinker, not just a literary theorist. The contributors hail from many disciplines and their essays' implications extend into other fields in the human sciences. The volume emphasizes Bakhtin's work on dialogue, carnival, ethics and everyday life, as well as the relationship between Bakhtin's ideas and those of other important social theorists. In a lively introduction Gardiner and Bell discuss Bakhtin's significance as a major intellectual figure and situate his ideas within current trends and developments in social theory.

This work investigates the role of religious thought in shaping and framing Bakhtin's writings. The authors explore Bakhtin's idea of faith - an abstract codification of a belief system - and a feeling for faith which involves the active participation of persons, both human and divine.

Peeren's book is a cultural analysis that brings the literary and social theories of Mikhail Bakhtin to bear on artifacts and events from contemporary popular culture in order to theorize gender, sexual, and racial identities as fundamentally intersubjective.