"Sasson Somekh's memoir takes shape like a series of telling snapshots from another time and place. The time is the 1930s and '40s and the place, Iraq, where Somekh and his family were part of the country's then-flourishing Jewish community. The book offers an intimate view of this milieu and manages both to describe vividly the young Somekh's intellectual and emotional growth and to map the now-vanished world of Baghdad's book stalls and literary cafes, its Arabic-speaking Jewish bank clerks, outdoor movies at the Cinema Diana, and bonfires by the Tigris. As the pieces of Somekh's unsentimental memoir accumulate, they also mount in meaning. The book celebrates the ups and downs of Iraqi Jewish life as it also portrays the eventual dissolution of the community in the early 1950s."--BOOK JACKET.

"During the Gulf War in 1991, through long nights of relentless bombing and the disappearance of all amenities, Iraqi artist Nuha al-Radi began keeping a diary from her Baghdad home. In it, she captures scenes of surreal intensity as birds fly upside down, citizens feast royally on food about to spoil and randy dogs receive fan letters thanks to CNN." "The diaries continue throughout the ensuing bleak years under sanctions, depicting the difficulties of day-to-day survival but also the funny and macabre goings-on about town. Her entries continue into exile and end in November 2002." "Al-Radi records the transformation of a country where only a few years earlier the main problem facing Iraqi children had been obesity; but what emanates most vibrantly from these personal tales is the spirit of endurance and a celebration of the smallest of life's joys."--BOOK JACKET.

We have read much about the allied 'precision bombing' in the 1991 Gulf War with Iraq and even now the military uses terms like 'clean' war with reference to any future attack on Baghdad. However, the truth is more painful and in Baghdad Diaries Nuha al-Radi lays bare these truths. Life under continuous bombing becomes unbelievably primitive and for the Iraqi people who suffered the noise, the dirt, the danger, and the despair it was almost a return to a medieval existence. This is a unique testimony of the facts of 'precision bombing' by a witness who can express them sensitively and with a clear memory.

"Reminiscent of the best war literature, such as John Hersey's Hiroshima, Michael Herr's Dispatches, and Michael Kelly's Martyr's Day." --The Washington Post The Fall of Baghdad is a masterpiece of literary reportage about the experience of ordinary Iraqis living through the endgame of the Saddam Hussein regime, its violent fall, and the troubled American occupation. In channeling a tragedy of epic dimensions through the stories of real people caught up in the whirlwind of history, Jon Lee Anderson has written a book of timeless significance.

"David Enders has a stunning independent streak and the courage to trust his own perceptions as he reports from outside the bubble Americans have created for themselves in Iraq." -Joe Sacco, author of Safe Area Gorazde "Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy clichés that dominate U.S. journalism, Enders blows away the media fog of war. The result is a book that challenges Americans to see through double speak and reconsider the warfare being conducted in their names." -Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death "Journalism at its finest and on a shoestring to boot. David Enders shows that courage and honesty can outshine big-budget mainstream media. Wry but self-critical, Baghdad Bulletin tells a story that a few of us experienced but every journalist, nay every citizen, should read." -Pratap Chatterjee, Managing Editor and Project Director, CorpWatch "Young and tenacious, Dave Enders went, saw, and wrote it down. Here it is-a well-informed and detailed tale of Iraq's decline under American rule. Baghdad Bulletin offers tragic politics, wacky people, and keen insights about what really matters on the ground in Iraq." -Christian Parenti "I wrote my first piece for Baghdad Bulletin after visiting the mass graves at Al-Hilla in 2003. The Baghdad Bulletin was essential reading in the first few months after the end of the war. I handed that particular copy to Prime Minister Tony Blair. I am only sorry that I cannot read it anymore. David Enders and his team were brave, enterprising, and idealistic." -Rt. Hon. Ann Clwyd, member of the British Parliament Baghdad Bulletin is a street-level account of the war and turbulent postwar period as seen through the eyes of the young independent journalist David Enders. The book recounts Enders's story of his decision to go to Iraq, where he opened the only English-language newspaper completely written, printed, and distributed there during the war. Young, courageous, and anti-authoritarian, Enders is the first reporter to cover the war as experienced by ordinary Iraqis. Deprived of the press credentials that gave his embedded colleagues access to press conferences and officially sanitized information, Enders tells the story of a different war, outside the Green Zone. It is a story in which the struggle of everyday life is interspersed with moments of sheer terror and bizarre absurdity: wired American troops train their guns on terrified civilians; Iraqi musicians prepare a recital for Coalition officials who never show; traveling clowns wreak havoc in a Baghdad police station. Orphans and intellectuals, activists and insurgents: Baghdad Bulletin depicts the unseen complexity of Iraqi society and gives us a powerful glimpse of a new kind of warfare, one that coexists with-and sometimes tragically veers into-the everyday rhythms of life.